Tag Archives: anthology

New QSF Flash Fiction Anthology: Renewal

QSF Renewal-Print

QSF has a new book out, the latest in our series of flash fiction anthologies:

Re.new.al (noun)

1) Resuming an activity after an interruption, or
2) Extending a contract, subscription or license, or
3) Replacing or repairing something that is worn out, run-down, or broken, or
4) Rebirth after death.

Four definitions to spark inspiration, a limitless number of stories to be conceived. Only 110 made the cut.

Thrilling to hopeful, Renewal features 300-word speculative fiction ficlets about sexual and gender minorities to entice readers.

Welcome to Renewal.

Mischief Corner Books (info only) | Amazon | Barnes & Noble | Kobo | Goodreads


Renewal Banner

Excerpt

Because these stories are only 300 words each, we’re not supplying long excerpts, but here are the first lines of several of the stories. Enjoy!

“Griselda pulled the weeds from between the rows of Valerianella locusta plants in the garden, careful not to disturb the buds that would grow into the babies that were her only real income-producing crop.” —The Witches’ Garden, by Rie Sheridan Rose

“I didn’t know how truly the world was in trouble until I went journeying to look for Anisette’s bluebonnets.” —Bluebonnets, by Emily Horner

“The ship’s drive malfunctioned at the worst possible time.” —The Return, by Andrea Speed

“Before we continue, there’s a rather macabre fact about me I should share.” —Rejuvenation, by Christine Wright

“When I died they buried me at the bottom of the garden and returned to the fields.” —Below the Hill, by Matthew Bright

“The world is ending and I can’t look away from your eyes.” —Sunrise, by Brigitte Winter

““Losing one’s superpowers to your arch nemesis sucks donkey nuts, I tell ya. And trust me when I say I suck a lot of them.” —Rainbow Powers, by Dustin Karpovich

“The day I was born again was damp, rainy—a good day for rebirth, all things considered.” —The Birthing Pod, by Michelle Browne

“Intwir’s twelve eyes roved over the container, taking in the cracked outer lock and the elasticated fabric stretched tightly over its exterior.” —In a Bind, by S R Jones

“‘You’ve reached Androgyne HelpLine. Press one to start service. Press two to interrupt or cancel service. Press three—’” —Auto-Renew, by Ginger Streusel

“The doctor tells me that my wife is dying, but I already know.” —I Will Be Your Shelter, by Carey Ford Compton

“‘San Francisco was the first to go dark, followed by Los Angeles.’” —When Light Left, by Lex Chase

“My fingers lingered on the synthetic skin, trailing soft patterns across my work.” —Miss You, by Stephanie Shaffer


Included Authors

‘Nathan Burgoine
A.M. Leibowitz
A.M. Soto
Abby Bartle
Aidee Ladnier
Alexis Woods
Andi Deacon
Andrea Felber Seligman
Andrea Speed
Andrea Stanet
Anne McPherson
Bey Deckard
Brigitte Winter
Carey Ford Compton
Carol Holland March
Carrie Pack
Catherine Lundoff
CB Lee
Christine Wright
Colton Aalto
Daniel Mitton
Dustin Blottenberger
Dustin Karpovich
E R Zhang
E.J. Russell
E.W. Murks
Ell Schulman
Ellery Jude
Eloreen Moon
Elsa M León
Emily Horner
Eric Alan Westfall
F.T. Lukens
Fenrir Cerebellion
Foster Bridget Cassidy
Ginger Streusel
Hannah Henry
Irene Preston
J. Alan Veerkamp
J. P. Egry
J. Summerset
J.S. Fields
Jaap Boekestein
Jackie Keswick
Jana Denardo
Jeff Baker
Jenn Burke
Joe Baumann
John Moralee
Jon Keys
Jude Dunn
K.C. Faelan
Kelly Haworth
Kiterie Aine
Kristen Lee
L M Somerton
L. Brian Carroll
L.M. Brown
L.V. Lloyd
Laurie Treacy
Leigh M. Lorien
Lex Chase
Lia Harding
Lin Kelly
Lloyd A. Meeker
Lyda Morehouse
M.D. Grimm
Martha J. Allard
Mary E. Lowd
Matt Doyle
Matthew Bright
Mia Koutras
Michelle Browne
Milo Owen
Mindy Leana Shuman
Naomi Tajedler
Natsuya Uesugi
Nephy Hart
Nicole Dennis
Ofelia Gränd
Patricia Scott
Paul Stevens
PW Covington
R R Angell
R.L. Merrill
Rebecca Cohen
Redfern Jon Barrett
Reni Kieffer
Richard Amos
RL Mosswood
Robyn Walker
Rory Ni Coileain
Rose Blackthorn
Ross Common
S R Jones
Sacchi Green
Sarah Einstein
Shilo Quetchenbach
Siri Paulson
Soren Summers
Stephanie Shaffer
Steve Fuson
Tam Ames
Terry Poole
Tray Ellis
Vivien Dean
Wendy Rathbone
Xenia Melzer
Zen DiPietro
Zev de Valera

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“Train to Sevmash” is now available! For FREE!

77When I was approached to contribute a story for 7&7: A DSP Publications Anthology of Virtue and Vice, I immediately chose “mercy” as the virtue I wanted to write about. My first idea had to do with a police officer chasing down a criminal, but ultimately choosing to let him go. Unfortunately, the more I thought about that idea, the less I liked it.

But I’d recently found a tutor to help me brush up on the Russian language, which I’d studied a very long time ago in college, and I’d also just read Ian Fleming’s original novel Casino Royale. Suddenly, it clicked! A secret agent! And he wasn’t trying to capture somebody—he intended to assassinate his target.

Since I’m not British, my secret agent wouldn’t be, either. He’d be American, a former member of the Special Forces. And less upper crust than Bond, with a bit of Mack Bolan and John Clark (from Tom Clancy’s Rainbow Six) thrown in. Agent Jax Colby. I was setting this in the late 60s, during the Cold War, when the USSR was developing Victor Class nuclear submarines, so that would be the impetus of the agent’s mission.

I spent a ridiculous amount of time studying Soviet naval bases, and determined that the most likely place a submarine of that class would be docked for testing would be Sevmash. (I’d originally picked Murmansk, and I no longer remember why that wasn’t viable.) So how would I get an American spy into a high-security Soviet naval base?

Initially, the story was going to revolve around Colby’s adventures in Sevmash itself, once he’d infiltrated the base. He was there to assassinate an American defector. But a throwaway line I’d written in the first paragraph about how he’d killed an innocent man on the train to steal his identity intrigued me, and I found myself more interested in exploring how that had gone down, so I rewound the timeline to that night.

YuriColby needed a target who had a similar physical description to himself, and who was en route to the location on a fairly long journey, being transferred from another base—Murmansk. It was possible to travel by train between the two bases, but the trip took several days. This, of course, was in the days before information could be transferred easily over the Internet from one city to another, which would work to Colby’s advantage. He would have to have forged papers with his photo, but the Russian’s vital information—internal Soviet travel papers had a stamp across both the photo and the document, so simply replacing the photo would be an arduous task. As long as nobody in Sevmash had seen this man—Yuri Ivanovich Veselov—Colby should be able to get in and out. He just needed to kill Veselov on the train to Sevmash and step into his identity.

The only problem was, in order to kill Veselov, Colby had to get him alone. And that meant getting close to him. And the closer he got, the more Colby would be forced to realize Veselov was not only an innocent in this game, but in many ways a kindred spirit and downright likable.

In fact, he was kind of adorable….

After I finished the short story Train to Sevmash, it was clear to me that I’d just begun to explore these characters and the world they inhabited, so I got permission from DSP Publications to expand the story into a full-length novel (tentatively called Chimera). That’s about half completed now, with the Train to Sevmash story taking up chapters five through seven, and I’m hoping to finish it this summer. Then, perhaps, it will be released next year.

Train in St PetersburgTrain To Sevmash—Jamie Fessenden 

Jax Colby is an American secret agent operating within the Soviet Union in 1967. His assignment is to infiltrate the Sevmash naval shipyard in Severodvinsk in pursuit of an American scientist turned traitor to his country. But in order to do this, he must first kill a naval lieutenant traveling to the base and steal his transfer orders. He homes in on his target on the two-day train ride from Leningrad to Belomorsk.

But there’s one problem. Lt. Yuri Veselov is handsome and friendly. As Colby spends time with him, he begins to like him—and it might be more than friendship. The train draws nearer to Severodvinsk, and Colby grows increasingly reluctant to do what he knows he must—kill Yuri Veselov.

(This story is included in the free anthology 7&7: A DSP Publications Anthology of Virtue and Vice )

Buy Links:

DSP Publications: https://www.dsppublications.com/books/77-by-andrea-speed-271-b

Amazon: https://www.amazon.com/7-Andrea-Speed-ebook/dp/B01DRIXN8M

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Filed under 7&7, Drama, gay, Historical, Jamie Fessenden, New Release, Romance, Russian, Writing

New trailer for “Gothika #1: Stitch” coming this April!

This is a trailer I created for a gay Gothic romance anthology called Gothika #1: Stitch. In addition to my story, called Watchworks, the anthology also contains stories by Eli Easton, Sue Brown, and Kim Fielding.

It will be released in April 2014.

The music for this video was written by Jamie Fessenden (me), and all of the images are, to the best of my knowledge, public domain or purchased stock photos.

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Filed under Book Trailer, gay, Historical, horror, New Release, Occult/Paranormal, Romance, SciFi, Victorian