Category Archives: Romance

Christmas stories by Jamie Fessenden

Despite having a reputation for dark stories about physical violence and psychological trauma (which kind of just… happened), I have a soft spot for Christmas. In fact, my very first published work was a Christmas story, and I’ve written several others over the years. So for those looking for something lighter for the holiday season (which is almost over, I know), here are the stories I’ve published over the past 13 years:

The very first story of mine that was accepted for publication was The Christmas Wager (2010), a Christmas “Regency” (though I set it in the Victorian Era) modeled after similar straight romances stories I’d read from other publishers. It was intended to be light and fun, though reality intervened somewhat – it was impossible for gay men to have an open relationship during that time period, so the fear of discovery had to play a part. But the stories I’d read weren’t terribly well researched, so I assumed nobody would care if mine was sloppy with historical details. I was wrong. The story did well, but readers – especially those in the UK – were put off by the historical and cultural issues. So much so, that I felt compelled to go back and correct them, as much as possible, with the aid of some editors from England. Which is why the novel now has a second edition. It’s now a work I’m very proud of.


My next holiday story (technically, a Yule story, rather than Christmas) was written and submitted later than The Christmas Wager, but it was published first, as part of Dreampsinner’s 2010 Advent Calendar anthology. It was a story about two Icelanders in the Viking Age. One had killed the other’s brother in a feud and the other had attempted to get vengeance, only to be cut down, as well. When he wakes, he discovers he’s being nursed back to health by his enemy. But he soon discovers that this man has grown to hate the feud that wiped out both of their families, and is actually very kind. Can our hero put aside his duty to avenge his brother and pursue peace?

The Meaning of Vengeance was an odd fit for the Advent anthology, in particular because the dark tone of the story didn’t match up with reader expectations, when they bought an anthology with a cute cover of two men decorating a tree in their underwear. I’d also felt, when I wrote it, that it had to have explicit sex in order to sell, but the scenes never really felt right. If anything, the story had a YA feel (both young men were in their teens). So I ended up pulling it from Dreamspinner, reworking it as a YA story, contracting Catherine Dair to do a new cover for it. Unfortunately, it isn’t yet available, because I’m still reworking the pacing. But I’ll have it out next year, under my YA pseudonym, James Erich.


The Healing Power of Eggnog was inspired by the visits I used to take to visit my first boyfriend at Goddard College. Montpelier and Plainfield are real places in northern Vermont and the Christmas tree farm is based upon the many such farms in New Hampshire.

This story was written back when I believed readers wanted “Hallmark Christmas movie” endings, which have the leads fall in love in a very short time. That turned out to not be the case, as two people falling in love over a few days’ time was one of the main criticisms of the story. I’ve been poking at it for a rewrite, but that’s for the future. I do think it’s a nice story, as is—it makes me cry, every time—but the timing needs a little work.


Though not my first foray into self-publishing, a beautiful cover by Reese Dante and professional editing by Theo Fenraven truly made A Cop for Christmas stand out.

This one is close to home—literally. It takes place in the White Mountains of New Hampshire, near Gorham, where I grew up. Crystal is a tiny town my father once owned a house in. I remember it as about 5 houses clustered around a tremendous waterfall. Fortunately, one of the houses had two girls around the ages of my brother and I, so we had incredible (and somewhat dangerous) adventures together, exploring the river and the forest surrounding it. But I digress…

A Cop for Christmas actually began as a short story idea I had in my 20s. In the original, a cop pulls a guy over and tickets him for speeding and it turns out the cop and the guy’s parents are next door neighbors and friends. My writing chops weren’t up to the task back then, but I always thought it would make a good starting premise. Et voila!


The character of Sam in A Cop for Christmas cried out for a story of his own. Sure, he was a bit pathetic and not strikingly handsome, but after we left him in the hands of Jackie (aka “Auntie Mame“), he traveled the world and grew up. He still had panic attacks during snow storms, but otherwise, he was standing on his own two feet.

Until Jackie decides they should spend Christmas in the snowiest place on Earth (or nearly): Iceland. Worse, she skips off, leaving him in the hands of Arnar, a local “nephew” of hers, to go on a tour of the countryside.

If I had to choose a favorite book of mine, I’d pick this one. I spent months wrapped up in information about Iceland, chatting with friends who lived there, eating food I had shipped, and wandering around Reykjavik and the Icelandic countryside via Google Streetview. By the time the novel was finished, I was exhausted, but I had a very hard time saying goodbye to my virtual vacation in Iceland. I honestly had felt as if I was there. I only hope I get the chance to visit in person someday. It’s a beautiful country.


During my research for A Viking for Yule, I came across the Nordic spirit or being called “Tomte.” (Pronounced “TOM-teh.”) The name is specifically Swedish—it’s known by different names in different Scandinavian countries, such as the “Nisse” (NIH-seh) or the “Tomtenisse.” It resembles a little old man dressed in red clothes with a pointy hat and pointy boots (which is basically peasant clothing from the middle ages). The tradition that specifically interested me was one in which the
Tomte is believed to be the spirit of a human who’d lived (and died) on a farm a very long time ago, guarding over his descendants. Combine that with folktales of people stumbling into the land of the fae for a night, only to return to discover several years have passed in the human world. (No, this idea did not originate with Rip Van Winkle. Irving took it from European folklore.)

So this was the seed from which my novel Tomte grew. It was also my first attempt at Urban Fantasy—inserting fantastic elements into a realistic, contemporary setting and slipping them in casually, so the reader has to pause for a moment to figure out if it’s real or not. (That’s my definition, anyway.) I’m proud of the result, and hope to write more like this in the future!


Lastly, I’ll add in the fun “Twelve Days of Stories” that Wrote Podcast did in 2015. The idea was to assign each writer one of the 12 days of Christmas from the song and see what they could come up with in a very short period of time. My story was based upon 5 rings, and I decided to place my story on a space station orbiting Saturn. The rings begin with a ring on the coffee table in the café our main character works in and expands to the rings of Saturn and the space station (which has artificial gravity induced by centrifugal force). It’s short and I’d love to expand it someday, but you can listen to the current version here for free!

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Filed under Christmas, Contemporary, gay, James Erich, Jamie Fessenden, Romance, Victorian, Viking

New Release—Fang: The Quarry Boy

Fang: Gothika is now available for preorder! (It will be released on October 15th, in time for Halloween!) This is a reunion of some of the authors of the Gothika anthologies originally edited by Eli Easton and myself (#5). Eli and I were joined by Sue Brown and Kim Fielding in this presentation of creepy vampire stories for the holidays!

TRICKLE OF BLOOD by Sue Brown

My vampire clan is dying. Human blood is too tainted to sustain us. On the brink of giving up, the last thing I expect to find is the saviour of my clan, a non-human. He is my mate.

I know I must ask the impossible of my mate. If he walks away my clan will die. I don’t know if I’ll be able to let him go if he says no. Do I give him that choice, or his body and blood mine to command?

A DARK HEALING by Eli Easton

The life of a healer is a lonely one. Feared by the local villagers for being both a healer and an albino, Darian lives alone and spends his days picking herbs, making remedies, and talking to his dead teacher. Then one day he finds a mysterious man in the woods who’s been shot through with an arrow. Darian takes the man, Locke, back to his little hut and tends him as best he can. Locke is a strange creature—at times imperious and at other times nearly feral. But he is stunningly beautiful, and, more importantly, he finds Darian beautiful and unique—like a white unicorn. The two lonely men take comfort in each other’s company, and they bond over the days of Locke’s healing. But when killings begin in the nearby village, Darian must face both the nature of the man he invited into his bed and the villager’s wrath.

THE QUARRY BOY by Jamie Fessenden

A visit from a fearful apparition has marked Josiah Crayne as the next to die. August Walker returns home to confront the ghosts of the past—not only his painful memories of a friend’s death, but also his own sexuality.

As August investigates the tragedy that’s befallen the Craynes, it may turn out to be too much for him to bear—especially when he begins to suspect this man marked for death could return his affections.

FARKAS by Kim Fielding

Lee Harker has never fit in anywhere. Not with his immigrant family in rural Nebraska, not on a Navy ship during World War II, and not in Los Angeles as associate in a law firm. But when he’s sent to a remote mansion to complete some paperwork for the reclusive Vincent Farkas, Lee encounters the most unsettling circumstances yet. Caught in a place where things truly do go bump in the night, he must face his fears—and his desires—and acknowledge his true nature.

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Filed under Contemporary, gay, Halloween, Historical, horror, Jamie Fessenden, occult, Occult/Paranormal, Romance, Victorian

Happy Holidays from Jamie Fessenden

I’ve just been looking back through my posts and realized it ‘s been a very long time since I updated this blog. I apologize. I didn’t mean to be away so long. In fact, I started several posts over the intervening time, but couldn’t finish them. Some were controversial. Others were simply too meandering. So a quick update on what’s been going on with me:

It’s been a rough year, but not horrible. Everyone in the world has felt the effects of COVID-19, of course. Though several of my family and friends came down with it, nobody suffered any serious effects. I’m very grateful for that. But my husband and I have grown isolated during the lockdown. We’re still happily married, despite being in each other’s hair. Erich tends to lock himself in his office during work hours, so we see each other about as much as when he worked away from home. 🙂 And we’ve been gathering together with vaccinated friends and family recently.

Our eldest dog has been worrying us for a while. He suffers from hip dysplasia and goes to physical therapy for it, but the real issue is cancer. He nearly died from a ruptured spleen this summer, but fortunately was saved by the emergency vet. Now he’s undergoing chemotherapy and doing well, but we’ve been warned he has a very aggressive form of cancer, so we’re just taking it one day at a time. We’ve had him since just before we married, eleven years ago, and losing him is going to be brutal. 😦

I have been writing, though it sometimes feels like I have no energy for it—or anything, really. It turned out to be a mistake, pulling all of my novels and novellas from Dreamspinner Press. I’ve republished my bestsellers, but the remaining list was too long and I was overwhelmed (see “struggles with depression”), so I made the decision to give DSP permission to relist a few of my backlisted novels and novellas, simply so I could stop worrying about it and move forward again.

As a result of this, I’ve finally updated the sidebar links, so if you click on a cover image, it should take you to an actual published ebook, either self-published or through DSP (and one through Beaten Track PressBorderland, co-written with F.E. Feeley, Jr.). The paperbacks aren’t all there yet. I’ve self-published Violated as an eBook, for instance, but I’ve had trouble with the paperback formatting, so it isn’t listed yet. If you see a paperback going for an outrageous price, don’t waste your money. Those are people selling used copies and trying to scam you. The legit paperbacks won’t be that pricey.

Murderous Requiem and By That Sin Fell the Angels are going to be relisted soon. Several of my horror stories, including all of the Gothika stories, are being compiled into an anthology. That should come out soon, as well.

As I mentioned, I have writing, so you’ll be seeing new stories from me in the coming months—a new addition to the Gothika series, for one—but probably not until the Fall.

I’ll keep you posted!

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Filed under Christmas, Contemporary, F.E. Feeley, Feeley, gay, Gay Marriage, horror, Jamie Fessenden, Life, Murderous Requiem, Pets, Romance, Work in Progress, Writing

Making a clean break

I’m sad to report I’ve had to break away from Dreamspinner Press. The publisher has been having financial difficulties for a while, and over the past year, authors haven’t been receiving their royalties—at least, not consistently. I still hold out hope that they’ll get things in order and return to being the reliable press they’ve been for most of the decade I’ve worked with them, but the hit they’ve taken to their reputation means it’s in my best interest to step away. The last book I had released through them (Small Town Sonata) sold very badly. It could be the book, of course, but there are a lot of factors to consider. Many readers are boycotting DSP books and a lot of review sites won’t review them.

This is not going to turn into a rant about how hurt I am or how betrayed I feel. I’ve been in the corporate world far too long to view this as anything more than a company that took too many risks and ended up suffering a serious shortfall in revenue. They tried to act as if everything was fine for a while, as most companies in this situation do, because if a company is honest about their finances falling apart, they start a mass exodus, which turns “financial trouble” into “bankruptcy” very quickly. I’ve seen it happen many times. I don’t like it, but it’s the way businesses tend to operate. Many authors feel they’ve had their royalties stolen. I don’t see it that way. I see it as my royalties haven’t been paid yet. I still expect to be paid, eventually. The only thing I feel about the situation is sad. I was with DSP for a long time, and my experiences publishing through them were generally very good.

My biggest concern right now is getting my books to readers. I’ve just pulled 20 novels and novellas from publication, which means a good percentage of the links in that side panel are now invalid. I plan on submitting my YA novels—Seidman and the Dreams of Fire and Gods trilogy—to agents. There’s no reason they can’t be published in the “mainstream” YA market. YA agents and publishers are starting to embrace LGBTQ characters.

I might submit some of my adult novels/novellas to other publishers, such as Beaten Track Publishing, since I have a book with co-author F.E. Feeley, Jr. coming out through them this spring. Most, I think, will be self-published. But that will take time. I have permission to use some of my cover art, but I’ll have to commission new covers for many stories.

In some cases, I might do a little rewriting. Readers almost unanimously hated a particular moment in We’re Both Straight, Right? so I think I’ll rework it. Similarly, the epilogue of Billy’s Bones was problematic.

For now, I’ll simply say, “Stay tuned…”

 

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Filed under James Erich, Jamie Fessenden, Life, publishing, Romance, Writing, Young Adult

The Spookiest Stories from Jamie Fessenden!

I missed Halloween with this post, so I’ll aim for the Day of the Dead instead! My intent was to blog about some of the scary/creepy stories I’ve written over the years.

I love horror, so I’m actually surprised I haven’t written more of it. For a very brief time, I made micro-budget horror films. They were of variable quality, and unfortunately you can only see one, at present, on YouTube. It’s really grisly, so don’t watch it if you don’t go for gore. I made it for the Eerie Horror Fest in 2006. They had a contest for filmmakers to submit ads for the festival. Sadly, ours “won,” simply because it was the only submission, but I’m proud of it. We were experimenting with lighting and learning how to use our new camera crane (basically a teeter-totter device that allowed the camera to smoothly pan up and down). If you go to the YouTube channel for Dunkirk Studios, you can see some trailers for other films we worked on. Some made it into festivals, but our big project, “The Resurrection,” was never finished, due to lack of locations willing to allow naked people covered in blood to run around on their premises. It would have been epic. EPIC.

After publishing some short stories  and novellas (one I’d consider novel-length, in its second edition), I decided to dive into a full-length novel in same vein as The Da Vinci Code, in which the characters are piecing together an occult mystery by researching ancient tomes. The result was Murderous Requiem.

 

In this novel, I delved into the writings of Marsilio Ficino (1433-1499), the Italian scholar who was more or less responsible for bringing the works of Plato to the West, and who believed that music could heal the human body by bringing our pure spiritual form into harmony with our physical form. He was a jack-of-all-trades – a doctor, philosopher, writer, and composer – so the story is about the discovery of a mass written by Ficino, which could go one step further and pull the soul back into the body after death. The story involves a beautiful drug addict with the voice of an angel, a murder, nearly everything my music theory major taught me in college, and ominous, supernatural flocks of ravens.

Bigfoot Hunters in Love was originally a free short story I gave away on my blog. You can still get it here. But I thought it needed more, so eventually I expanded upon it and contracted Scott J. Coatsworth to create a cover that conveyed both the silly elements of the story and the creepiness. It’s about a man who moves to the country and is chased into the forest one night by a monster. He loses his slippers and his dignity, eventually crashing headlong into a man who’s been hunting the creature for years. Along with our hero’s trusty dog, Thor, they set out to uncover proof that the creature exists.

Sadly, the anthology of bizarre stories set in the Old West edited by my friend and fellow author, Kim Fielding, is no longer available, except in used paperbacks. I’ll have to republish my short story from it: The Sheriff of Para Siempre. This was one of my favorite of my own stories, about two young men hiring themselves out as law-enforcement in a dying mining town. It ultimately involves a man who simply won’t stay dead, and the ending is the most tragic thing I’ve ever written. As one reviewer said: “I’m a blubbering mess right now, so if I’m not making sense, you can blame it on Jamie Fessenden. Quite simply, this story broke me. It broke my heart and it made me speechless.”

Author and friend, Eli Easton, came up with a great idea for an anthology: Gothic horror romances to be released each Halloween, each with a specific theme. The first was called Gothika #1: Stitch, and Eli did the cover for it. It was gorgeous. I even made a book trailer, which looks a bit clunky, in retrospect, since it was the first time I played with Movie Maker. But I’m very proud of the music I wrote for it. (Yes, all those tens of thousands I spent on my music theory degree paid off!)

I won’t describe all the wonderful stories in these anthologies, since that would take forever, but I’ll briefly describe the stories I wrote. For Stitch, I wrote a story called Watchworks, about a watchmaker in Victorian London, who is called to the home of a wealthy gentleman for a bizarre purpose: to repair the intricate mechanical hand of a handsome young man. The hand is so lifelike, it’s impossible to tell it isn’t flesh, unless the artificial skin is removed. But as the watchmaker attempts to repair the hand, he begins to suspect more and more of the young man is clockwork. Just how much of him is still human?

 

For Gothika #2: Bones, I wrote a Young Adult story about two teenagers living in a Latinx neighborhood in Manchester, New Hampshire. One has a grandmother (abuelita) who runs a botánica – a shop that sells folk medicine and magical items used in vodou rituals – and when he attempts to acquire a copy of the dreaded Book of St. Cyprian for the shop, he accidentally releases a dark spirit that possesses his friend’s dog. The two boys work frantically to exorcise the spirit, before it can hurt the dog or, worse… abuelita finds out what they’ve been up to.

Don’t expect any sex with this one, but it’s fun and creepy and has some interesting stuff about local vodou practices. I had a couple of Spanish-speaking friends take me to the botánica in Manchester, so we could quiz the owner and see what she had for sale. And, yes, the Book of St. Cyprian is a real book, rumored to be so evil, anyone who reads it risks losing their soul.

Isolation (Gothika #3: Claw) is adapted from a screenplay I wrote, but was never able to film – mostly because we weren’t able to find a good location. It follows a man who once had a great relationship with his best friend and lover, but chickened out of a long-term gay relationship and married a woman. Years later, after his marriage has disintegrated, he comes back with his tail between his legs, hoping to rekindle what he and his friend once had.

But he finds his friend living deep in the woods, isolated from the town, and not at all willing to get into a relationship with him… or anyone, apparently. And he soon discovers there is something sinister prowling through the forest at night…

 

For Gothika #4: Spirit, the theme was ghost stories, and I delved into the history of the old mill buildings in New England, which were plagued by fires that killed massive amounts of workers – usually young women. The most famous is the Triangle Shirtwaist factory fire which killed 146 workers, mostly Italian and Jewish immigrant women in their teens and early twenties (the youngest was 14), because the doors to stairwells and exits were locked to prevent workers from sneaking out on breaks.

For The Mill, I adapted a ballad about the Granite Mill to my fictional mill building, and had a team of ghost-hunters investigating appearances that have frightened off construction workers so often the building now lies empty and abandoned.

The last Gothika we did was called Contact, and it dealt with stories of alien abduction.

My story was called, not surprisingly, Abduction. It’s about a man who visits an old boyfriend and finds that he’s basically had a nervous breakdown and ranting about aliens abducting him and implanting things in his body. Our hero agrees to stay the night and help watch for aliens, and to his horror, he’s abducted.

The aliens don’t experiment on him, but that’s because he was abducted by different aliens than his friend was abducted by. In order to save his friend, he has to take sides in an interstellar war and befriend the commander of the ship he’s a prisoner on. Over time, he and the commander discover they have a connection…

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Filed under Contemporary, Day of the Dead, Film Writing, gay, Halloween, horror, Jamie Fessenden, Murderous Requiem, occult, Occult/Paranormal, Pets, Romance

“Small Town Sonata” is RELEASED!!!

My Dreamspun Desires novel, Small Town Sonata, hits the stands today!

For anyone who hasn’t been following, this novel is a very personal one for me. I taught myself to play piano as a teenager and picked it up pretty quickly. I was actually good enough to play at the Homecoming assembly in my high school just a couple of years later. (Okay, it was a very small school, in a rural area.)

I was good enough to get into the music program at the University of New Hampshire, but alas I’d taught myself a lot of bad fingering, and I was never able to overcome that. I’d always dreamt of being a professional pianist, but it was not to be.

Aiden is a bit of wish-fulfillment – a child prodigy who quickly outgrew his small town and had to leave, in order to pursue a shining career, traveling around the world as a sought-after pianist.

But as I would, if I were in his place, he misses his small-town life… and the handsome young man he’d begun a tentative relationship with when he was a teenager. He returns under unhappy circumstances, but finds his old boyfriend, Dean, has grown into a handsome, well-liked man.

And then things begin to get interesting…

Can the trusted town handyman rebuild a broken pianist’s heart?

When a freak accident ends Aiden’s career as a world-renowned classical pianist, he retreats to his New Hampshire hometown, where he finds the boy he liked growing up is even more appealing as a man.

Dean Cooper’s life as handyman to the people of Springhaven might not be glamorous, but he’s well-liked and happy. When Aiden drifts back into town, Dean is surprised to find the bond between them as strong as ever. But Aiden is distraught over the loss of his career and determined to get back on the international stage.

Seventeen years ago Dean made a sacrifice and let Aiden walk away. Now, with their romance rekindling, he knows he’ll have to make the sacrifice all over again. This time it may be more than he can bear.

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Filed under Contemporary, gay, Jamie Fessenden, LGBT, Music, New Release, Romance

New Release! Small Town Sonata is now available for pre-order!


My Dreamspun Desires title, Small Town Sonata, will be hitting the stores on August 6th, and is already available for pre-order at Dreamspinner Press and Amazon!

This is a return to light, fun romance, after spending so much time writing dark stories. I spent a lot of time lovingly describing the town I grew up in, until I was about eleven, making everything vivid and brightly colored, full of the scents of lilacs and cut grass and warm coffee. It was a wonderful experience for me, and I hope it will be for you as well!

Can the trusted town handyman rebuild a broken pianist’s heart?

When a freak accident ends Aiden’s career as a world-renowned classical pianist, he retreats to his New Hampshire hometown, where he finds the boy he liked growing up is even more appealing as a man.

Dean Cooper’s life as handyman to the people of Springhaven might not be glamorous, but he’s well-liked and happy. When Aiden drifts back into town, Dean is surprised to find the bond between them as strong as ever. But Aiden is distraught over the loss of his career and determined to get back on the international stage.

Seventeen years ago Dean made a sacrifice and let Aiden walk away. Now, with their romance rekindling, he knows he’ll have to make the sacrifice all over again. This time it may be more than he can bear.

Dreamspinner Press: https://www.dreamspinnerpress.com/books/small-town-sonata-by-jamie-fessenden-10674-b

Amazon: https://www.amazon.com/Small-Town-Sonata-Dreamspun-Desires-ebook/dp/B07QXQYH8X/

Excerpt:

Dean was unaccountably nervous as he followed Aiden around to the backyard. It wasn’t as if they were going to fuck in the gazebo or anything. Aiden had already vetoed making out, which was reasonable. But Dean had thought about him a lot over the years. After a couple of years had gone by with no sign of Aiden returning to Springhaven, even for just a summer, any delusions Dean had had about them running off together had died a painful death. But, yeah. Dean had still thought about him. And his thoughts hadn’t always been pure.

Now, Aiden was walking just a few feet ahead of him, and he’d grown up to be sexier than Dean’s most lurid fantasies. My God, look at that ass!

The gazebo was octagonal, with one side open and the other seven enclosed by a waist-high white wooden railing. Three curved benches formed a semicircle in the center, underneath a conical roof. The gazebo rested in the center of the lawn surrounded on all sides by a small, artificial frog pond, and that was surrounded by more of Mrs. Scott’s rosebushes. The scent of the flowers hung heavy in the warm evening air, and a chorus of crickets and spring peepers serenaded the men as they crossed the small, arched bridge and climbed the short flight of wooden steps.

As a boy, Dean had thought the Scotts must be millionaires. He knew that wasn’t the case, now, but they were certainly well-off.

“I’m tempted to light the TIKI torches,” Aiden said, grinning. “But I suppose Dad would come barreling out of the house, demanding to know who was screwing around in his yard. Either that, or Mom would be worried I was out here moping.”

“Moping about what?”

The shadows inside the gazebo were deep, so Dean couldn’t see Aiden’s face clearly, but there was a sadness in his voice. “Nothing. I guess I miss New York a bit.”

Dean could tell that wasn’t the real reason, but he doubted he’d get much more out of Aiden by prying.

A firefly drifted into the gazebo and they watched its slow flight until it landed on the railing. It sat there, blinking a soft greenish-yellow.

“You really liked it there?” Dean asked at last.

“I guess so. It was busy. Exciting. And people treated me like….” He trailed off.

“Like what?”

Aiden gave out a faint, wistful little laugh. “Like a movie star.”

“Just because you play piano?” Dean realized he was probably being insulting. “Sorry. I mean… you play great. I love listening to you. But are you saying people wanted your autograph and shit like that?”

Aiden was silent for a long time, and Dean was afraid he was going to turn around, go back inside, and that would be the last time Aiden ever bothered to talk to him. Why the fuck did I have to say it like that?

Eventually, Aiden said, “Sometimes.”

“I’m sorry. I don’t know shit about stuff like that.”

Another long silence. Then Aiden said, “Mom tells me you play clarinet now.”

“Uh… yeah. I’m not that good, though.”

Aiden sat down on one of the benches. “You play in the town fair?”

“Sort of.” Dean sat beside him, praying Aiden wouldn’t immediately get up again. The bench was small, so they were forced to sit close together. Dean could feel the heat of Aiden’s arm against his own, but Aiden made no move to put distance between them. “Remember Bart Robinson?”

“The math teacher?”

“Well, he was when you and I were in high school. He retired ages ago. And he put the Springhaven Septet—that’s what we called the band—together. We played every summer, until he passed away a couple of years ago.”

“I’m sorry to hear that.”

“Yeah.” Dean sighed. “So this year, they’re making me do it.”

“The band? Who’s making you do it?”

Dean held his hands out in front of him in a gesture of surrender. “The Ladies of Lilac Lane.”

“The… what?”

That was right. The ladies hadn’t formed their little cabal before Aiden left. “Well, they’re kind of a… bunch of old women who boss people around a lot. Especially me.”

Aiden laughed and nudged him with his arm. “I didn’t think anyone could boss you around.”

“Yeah, well… I guess I let them.”

Dean shifted uncomfortably. He wasn’t sure if he could explain it in any way that made sense to anyone else. “Do you remember Mr. Whitaker?”

Aiden sighed, a wistful sound. “Oh, yeah. I was thinking about him this afternoon, when I went uptown.”

“He kind of saved my life.”

Aiden huffed out a breath. “By making you mop his floor?”

“He told me that night, ‘Springhaven is a small community. A place where people still trust their neighbors. A lot of us don’t even lock our doors. But you’ve got the power to change that. If you want to live in a town where people always have to lock up and keep their eye on each other, well… all you gotta do is keep stealin’ people’s stuff. You’ll make it happen.’”

Aiden seemed to think about that for a while. Then he said, “Not that I’m saying you should have kept on stealing, but even if you didn’t, somebody else could.”

“Yeah,” Dean replied, nodding. “But I decided it wasn’t gonna be me. I liked the fact that everybody could trust their neighbors here, and I wasn’t gonna be the one to destroy that. I never stole another thing after that day. A while later Mr. Whitaker hired me for some yard work and started recommending me to his friends. That’s how I got started doing handyman stuff. And the old people in this town? They’re the best friends I ever had.” Then, without thinking, he added, “’Cept for you. But you left.”

He hadn’t meant to say that last part. It had just sort of slipped out. He knew then that, as much as he thought he’d gotten over that brief teenage romance between them, he hadn’t. Not really. The memory of how alone he’d been during the last years of high school was still painful to think about.

God, I’m pathetic.

To his surprise, Aiden reached out and covered Dean’s hand with his. He didn’t say “I’m sorry” or anything else. He just quietly took Dean’s hand and held it. They sat in silence for a long time, and Dean was grateful he didn’t have to speak, because a lump had formed in his throat. If he tried to say anything, he’d probably embarrass himself.

 

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Filed under Contemporary, Cover, Excerpt, gay, Jamie Fessenden, LGBT, New Release, Romance

Writing advice, because that’s what we writers like to do

So my latest novel, Small Town Sonata, was contracted for publication by Dreamspinner Press, and I’m very happy. Hopefully, it signals the revving up of my writing career again.

So, in the spirit of that, and because someone asked about it in a Facebook group, I’ve decided to offer some Writing Advice (capitalized, to show how pompous… I mean “important” it is). Seriously, this is just some stuff I learned over the years. Take it or leave it, as you like. It’s less about writing than about some practical concerns.

I started writing in Middle School, reading articles in The Writer (which was a much better magazine then) and locking myself in my room after school to type. My mother bought me my first typewriter (personal computers were like $5,000 then), but with the door closed, the heat from the wood stove couldn’t reach me, so I had to bundle up in a blanket. Abe Lincoln would have been proud.

I still have all of that writing in a briefcase. Most of it is pretty bad. Writers often tend to start out thinking their prose needs to be Serious and Important (translation: flowery). That’s actually the worst thing for modern writers, unless you’re doing historical or literary fiction. (And even then, it’s probably not great.) So there are some story ideas I like in that pile, but I’d have to rewrite them all from scratch. But, hey, that period taught me a lot about how to write.

I wrote on and off over the years after that, but had difficulty finishing things. Eventually, I tried NaNoWriMo, and that allowed me to finish my first novel (Seidman), then another, and so on. Everything I wrote through NaNo was eventually published. (Finish what you write. An unfinished story is no good to anybody, and even one that isn’t 100% perfect has a better chance of being published than an brilliant, unfinished one.)

I write in Word and use Scrivener to keep my notes. (Tip: You can relocate the Scrivener directory to a folder in your Dropbox folder, so they’ll be backed up.) I tried writing in Scrivener a few times, but so far I’ve found it difficult. The problem I’ve had with Word is that it wants me to buy it on iPad, even though I own (=lease) it on my laptop. This has made it nearly impossible to use my iPad for writing, as I used to do.

In college, I composed electronic music, using a program called Personal Composer, which had a problem with frequent crashes (at that time). One night, after working on a piece for something like 5 or 6 hours (it was around 3am), I saved and it crashed. Because I’d only used ONE file the entire time, it got corrupted, and all my work was lost. I learned to create a NEW save, every time I work on something. My novels tend to have over a hundred save files, by the time I’m done.

For a while, I was working a corporate job, and using thumb drives to take my current working files back and forth between home and work (I didn’t have a laptop). I discovered two things about thumb drives:

 

  • They’re easy to lose. I had to completely rewrite an entire chapter once.

  • They’re unreliable. On several occasions, I saved files to a thumb drive, ejected, and discovered the files were not there. They weren’t anywhere – not on the drive, not on the computer, not even in temp files. This is when I started using Dropbox, and yes, they’ve had some problems with security, but they also keep backups of files, so when a file of mine was destroyed somehow (Virus? I don’t recall.), I was able to go to the Dropbox site and download it again.

Lastly, if you can’t get a publisher or agent to buy your novel, consider self-publishing it. I’ve read a bunch of articles which insist self-publishing is what Losers do, when their work isn’t good enough to be published by real publishers. They’re the equivalent of cavemen banging on rocks, angry that “cheaters” have discovered a box of matches.

Look, the fact is, self-publishing is relatively easy, and that’s led to the market being flooded with a lot of stuff I would have to call “poor-quality”… if I’m being kind. This, in turn, has led a lot of readers to assume our self-published work isn’t worth very much. Combined with Kindle Unlimited, authors are now forced to sell months of hard labor for pennies, if we want anyone at all to notice its existence. (Thank you, Amazon, for pulling the floor out from under aspiring authors.) This has led to more and more indie publishers throwing in the towel, so those that are left have been forced to close or severely restrict submissions.

Throw in the fact that, with so many people out of work, everyone seems to think writing might be a way to earn some income, and the end result is that traditional routes to being published, which were already difficult, are now extremely difficult. Good books, bad books, books written by the next Great American (or whatever country you’re from) Author… they’re all being rejected. It is not a sign of failure to self-publish.

Some books make the rounds between publishers for years — even decades. Do you have that kind of time? I’ve published over 30 novels and novellas between December 2010 and now — just over eight years. (Of course, I know authors with two or three times that output.) I may not be a brilliant author, but my work is being read. And that’s what needs to happen, if you want to earn anything writing.

What a lot of authors are doing, if they can, is publishing through publishers at the same time they self-publish. This is called hybrid publishing, and it has the advantage of getting your name out by association with the publisher, as well as convincing readers your stories, including the self-published stories, are professional quality. Going through a publisher can also help you make contacts with editors, cover artists, and others who can help you, when you self-publish.

And that’s a key thing: if you self-publish, you must hire a professional editor and a professional cover artist, and probably a formatter, as well. This shouldn’t break the bank, but it will likely cost a few hundred dollars. It will be worth it. Nothing screams “Crap!” like a homemade Photoshopped cover with free images everyone and his brother has used before. And if a reader skims the preview and sees typos and spelling errors on the first two pages, you’ve lost that reader forever.

But self-publishing has a much quicker turnaround than publishing houses. When I published my last Christmas novel, I finished it, had it edited, got a wonderful cover for it, and published it — all in the space of about a month and a half. I didn’t have a choice about going through a publisher, if I wanted it out by Christmas. Self-publishing also means a smaller chunk comes out of my royalties. This isn’t because publishers are swindlers, but simply because they have overhead costs.

Anyway, all this pontificating has worn me out. I’m gonna go take a nap.

I mean “write.” I’m gonna go write.

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Filed under James Erich, Jamie Fessenden, Life, NaNoWriMo, New Release, publishing, Romance, Writing, Young Adult

“Small Town Sonata” is finally finished and submitted!


I posted about my Dreamspun Desire (I hope) novel Small Town Sonata quite a while ago, but life intervened and I was unable to finish it for a very long time. The novel ended up sitting on my computer with the final chapter staring me in the face, half written, for almost a year. But I’ve finally finished it and submitted it to Dreamspinner Press!

Dreamspinner is under no obligation to publish it, of course, but they liked what I showed them a while back, so I’m hopeful. If it’s rejected, I have enough faith in the novel to self-publish it. This is the blurb (so far):

At thirty, Aiden Scott was a star. As a pianist, he performed all over the world with prestigious orchestras, and thought he had everything he’d ever wanted. Two years later, a freak accident ended his career. He retreats to the small New Hampshire town he grew up in to lick his wounds and reevaluate his life. To his surprise, he finds the boy he loved as a teenager has grown into a handsome man, and even after seventeen years, the attraction between them hasn’t dwindled.

Dean Cooper’s life is far removed from the glamorous life Aiden was leading. He’s a handyman and general errand boy for the people of Springhaven, but he’s well-liked and happy. When Aiden drifts back into town, Dean is surprised to find the bond between them as strong as ever, but soon realizes how unhappy Aiden is over the loss of his career. He sacrificed his own needs when they were teenagers to let Aiden go where he needed to be. Now, just as it seems the romance between them is rekindling, he may have to sacrifice once more to help Aiden recover his career—and again leave their small town behind.

And it’s killing him.

I’ll update my blog, once I hear back from DSP. But it feels terrific to finally get this off my plate, so I can tackle other projects. Currently, I’m working on a horror novel with F.E. Feeley, Jr. — not a romance, but a classic ghost story. That’s getting near the final chapters. And I’ve been mulling over a pirate novel…

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Christmas doesn’t have to be white

So the Christmas season is here, and all those wonderful (if formulaic) Hallmark movies are hitting Netflix and Amazon. I don’t want to bash the movies, because I love them. But there’s something that might not be immediately apparent to white viewers (like myself) that I feel I should point out: Hallmark was originally a Christian programming channel. And unfortunately, that means they still cater to a primarily white, straight audience.

I’m not entirely sure why this is. There are a lot of Christians in the country who are black, Latinx, Asian-American, and so on. Yet we rarely see them in movies and TV shows. And while it’s true this problem is endemic to our culture, it seems to be particularly slow to change in Hallmark programming. I watched an entire season of The Good Witch (which I love), unable to spot anyone – even in the background – who wasn’t white. In season two, they had one or two black characters sitting in restaurants or wandering by on the street. In season three, some unnamed black people had lines! To be fair, the lead actress, Catherine Bell, is half Iranian, as mentioned in the article below, but I’m not convinced audiences are aware of that fact.

Don’t even get me started on the complete erasure of LGBTQ people.

Why Are Hallmark Movie Casts So White? We Asked The CEO

I really don’t mean to be picking on just Hallmark. The company doesn’t generally have strong religious themes in their programming, these days, and it’s made some attempts in recent years to be more racially diverse. Black coworkers and bosses are becoming the norm, and there are some, if not many, films with black or Latina leads (I can’t recall ever seeing one with a male lead – they follow the romance novel formula). Other companies that produce Christmas programming have the same issues. Though as the article mentions, Lifetime is doing a bit better.

Though, again, if you find a prominent LGBTQ character in a Christmas film… it ain’t Hallmark. They have made some LGBTQ commercials for their greeting card line, which is progress, but we don’t even get supporting roles in their films.

This isn’t a scholarly article. I’m not going to quote sources, and you are free to think my opinion is full of crap. But in an attempt to be more productive than simply whining about the lack of diversity, I’d like to point out some favorite Christmas movies (from Hallmark and other companies) with diverse casts.

The Holiday Calendar (Netflix)

A young woman is given an antique advent calendar, and although she can’t open the doors, every morning she finds one open with a small toy inside that somehow predicts what will happen that day. This is a magical film with a wonderful cast. I fell in love with both of the leads. The plot gets a bit muddy, and there were some cliches concerning “the other man” I could easily do without, but I adored it. Currently, you can find it on Netflix.

Miss Me This Christmas & You Can’t Fight Christmas (Pokeprod)

I’m listing these two together, because they were filmed at the same time and released simultaneously. They take place in roughly the same time frame, so if you watch them back to back, you’ll see two or three scenes repeated from different viewpoints, as the characters bump into each other. The acting isn’t spectacular, though the male lead (Redaric Williams) from Miss Me This Christmas has got to be one of the sexiest men I’ve ever seen on film, and the female lead (Brely Evans) from You Can’t Fight Christmas is funny and energetic, and I love the fact that she’s portrayed as sexy, even though she has a few extra pounds. We also have a side character who, if I recall, is openly gay.

In Miss Me This Christmas, Regina (Erica Ash) and Franklin (Redaric Williams) are having trouble with their marriage, and end up separating. A year later, they’re supposed to finalize the divorce on Christmas Eve (as one does), but they keep being reminded of how much they love each other. The plot in this one is weak. Very weak. I loathe the Big Misunderstanding trope, in which a couple’s problems could all be solved if they’d communicate and sort out the ridiculous coincidence that caused the fight to begin with. But it’s otherwise sweet, and the best friend, Trish (Eva Marcille), is highly entertaining.

In You Can’t Fight Christmas, Edmund (Andra Fuller) falls for the decorator, Leslie (Brely Evans), his grandfather hired to spruce up his hotel for the holidays, but he and his business partner have plans to take over the hotel and make it upscale and unavailable to the people in the neighborhood who made it great. Another very weak plot full of cliches, but still entertaining and sweet.

https://www.dailymotion.com/video/x6cxti2

The Preacher’s Wife (Mundy Lane Entertainment)

I’m going to end this short list with a film that isn’t really in the same category as a Hallmark movie. This one is reaching way back in time to the 1990s, and it starred two big box office draws, at the time: Denzel Washington and Whitney Houston. It’s a little unfair to compare the low-budget productions above with a $40 million dollar film. But still, it’s good. Both this and the original Cary Grant/Loretta Young film it was based upon (The Bishop’s Wife) can get a little uncomfortable, since the angel sent to save a marriage falls in love with the wife, in both cases, and she starts to fall in love with him. Not cool. But I still enjoy them both.

There are others I’ve seen recently, and in the past, so I’ll probably add to this list. I need to dig them up. But I’ll stop there for now. If you have favorites I haven’t mentioned, please feel free to drop them in the comments!

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Filed under Christmas, Diversity, Romance