Fang: Gothika is now available for preorder! (It will be released on October 15th, in time for Halloween!) This is a reunion of some of the authors of the Gothika anthologies originally edited by Eli Easton and myself (#5). Eli and I were joined by Sue Brown and Kim Fielding in this presentation of creepy vampire stories for the holidays!
TRICKLE OF BLOOD by Sue Brown
My vampire clan is dying. Human blood is too tainted to sustain us. On the brink of giving up, the last thing I expect to find is the saviour of my clan, a non-human. He is my mate.
I know I must ask the impossible of my mate. If he walks away my clan will die. I don’t know if I’ll be able to let him go if he says no. Do I give him that choice, or his body and blood mine to command?
ADARK HEALING by Eli Easton
The life of a healer is a lonely one. Feared by the local villagers for being both a healer and an albino, Darian lives alone and spends his days picking herbs, making remedies, and talking to his dead teacher. Then one day he finds a mysterious man in the woods who’s been shot through with an arrow. Darian takes the man, Locke, back to his little hut and tends him as best he can. Locke is a strange creature—at times imperious and at other times nearly feral. But he is stunningly beautiful, and, more importantly, he finds Darian beautiful and unique—like a white unicorn. The two lonely men take comfort in each other’s company, and they bond over the days of Locke’s healing. But when killings begin in the nearby village, Darian must face both the nature of the man he invited into his bed and the villager’s wrath.
THE QUARRY BOY by Jamie Fessenden
A visit from a fearful apparition has marked Josiah Crayne as the next to die. August Walker returns home to confront the ghosts of the past—not only his painful memories of a friend’s death, but also his own sexuality.
As August investigates the tragedy that’s befallen the Craynes, it may turn out to be too much for him to bear—especially when he begins to suspect this man marked for death could return his affections.
FARKAS by Kim Fielding
Lee Harker has never fit in anywhere. Not with his immigrant family in rural Nebraska, not on a Navy ship during World War II, and not in Los Angeles as associate in a law firm. But when he’s sent to a remote mansion to complete some paperwork for the reclusive Vincent Farkas, Lee encounters the most unsettling circumstances yet. Caught in a place where things truly do go bump in the night, he must face his fears—and his desires—and acknowledge his true nature.
Borderland was a “labor of love,” as they say, from the start. FE Feeley, Jr. (henceforth referred to as “Fred”) proposed we work together on a horror novel over two years ago, and we tossed ideas back and forth until we settled on a ghost story set in a haunted inn in Vermont.
So much time has gone by, it’s now impossible to sort out who thought of what, but I recall Fred being interested in Vermont, because he wanted to visit New England. I’d never officially lived there, but they don’t call Vermont and New Hampshire the “twin states” for nothing. Jump in the car and you can reach anywhere in either state in a few hours. I’ve spent a lot of time there, especially near the border. It’s a gorgeous state: heavily forested, mountainous, and dotted with old farms. It’s about the same size as NH (but “upside-down” ;-p ), and the population is just over 600 thousand—half that of NH, and we’re not exactly struggling for elbow room.
Fred can also be credited with the idea of working the flu epidemic of 1918 into the story. I want to be clear that he thought of this years before the COVID-19 pandemic. Frankly, we might have veered away from the topic, if we’d known about the pandemic, since so many readers have had family affected by the virus. Instead, one might call it a bit of prescience. The story had already been submitted to our publisher by the time the pandemic hit the USA.
Writing with another author was a new experience for me, and it didn’t always go smoothly. We wrote scenes and showed them to each other, usually liking what we were piecing together, but as the order of the story was rearranged, some scenes had to be tossed and others extensively rewritten. One scene was simultaneously written by both of us, leaving us with the decision of which to keep. In final edits, we noticed that the music box was somehow upstairs in a bedroom and on the fireplace mantel in the living room at the same time. And who the heck was Meghan? Oh, that’s right. We changed her name to Grace…
But under the guidance of our wonderful editor, Debbie McGowan, at Beaten Track Publishing, we hammered the novel into something we’re all very proud of. And the reception has been wonderful. Here are some quotes from our favorite review sites:
“I very highly recommend this ghost story. It is one of my favorite reads in a long time. If you have Amazon, one-click it now. You won’t be sorry.” — Dan at Love Bytes Reviews
“If this is what a story becomes when FE Feeley and Jamie Fessenden collaborate, then sign me up for more. These two have put together an amazing combination of mystery, thriller, and horror, and then intertwined within all of that darkness, is a sweet, poignant romance that will stick with you long after “the end”.” —Melissa Brus at the Paranormal Romance Guild
“It was with great expectation I awaited this book…..I am a longtime follower of these two authors and expected nothing less than perfection….I received it hands down!!” — Gloria Lakritz at the Paranormal Romance Guild
“Yes, there is a sad element to this book. But there’s also hope, as well, and that’s deftly written by FE Feeley and by Jamie Fessenden, as well. I really enjoyed this book. It was an emotional roller coaster for me. It won’t necessarily be that way for everyone, although I would imagine that most people that read this book will have a definite visceral reaction to it. So, for me, Borderland is a lovely piece of writing. I thoroughly… I’m just really glad that I got to read it, and I’m giving it five stars.” — Kazza at On Top Down Under Reviews
I’m very proud of the work Fred and I did on the novel. Perhaps in the future we’ll collaborate on another one, and hopefully our process will go a bit smoother from our experience with Borderland. In the meantime, I hope readers enjoy their visit with the hotel and it’s residents… both benign and evil.
They were young. In the prime of life and recently married. And then the diagnosis came. Cancer.
George and Jason make arrangements to travel back to George’s home state of Vermont so he may pass away in the town where he grew up, but a terrible storm diverts the couple into the gates of an out-of-the-way hotel called Borderland.
Sure, the employees are well dressed and polite. Sure, the food and entertainment are old-time fare. But it’s all a schtick, right?
Or is there something far more sinister at work here?
Welcome to the Borderland Hotel, where you may check in, but you’ll never, ever leave.
I missed Halloween with this post, so I’ll aim for the Day of the Dead instead! My intent was to blog about some of the scary/creepy stories I’ve written over the years.
I love horror, so I’m actually surprised I haven’t written more of it. For a very brief time, I made micro-budget horror films. They were of variable quality, and unfortunately you can only see one, at present, on YouTube. It’s really grisly, so don’t watch it if you don’t go for gore. I made it for the Eerie Horror Fest in 2006. They had a contest for filmmakers to submit ads for the festival. Sadly, ours “won,” simply because it was the only submission, but I’m proud of it. We were experimenting with lighting and learning how to use our new camera crane (basically a teeter-totter device that allowed the camera to smoothly pan up and down). If you go to the YouTube channel for Dunkirk Studios, you can see some trailers for other films we worked on. Some made it into festivals, but our big project, “The Resurrection,” was never finished, due to lack of locations willing to allow naked people covered in blood to run around on their premises. It would have been epic. EPIC.
After publishing some short stories and novellas (one I’d consider novel-length, in its second edition), I decided to dive into a full-length novel in same vein as The Da Vinci Code, in which the characters are piecing together an occult mystery by researching ancient tomes. The result was Murderous Requiem.
In this novel, I delved into the writings of Marsilio Ficino (1433-1499), the Italian scholar who was more or less responsible for bringing the works of Plato to the West, and who believed that music could heal the human body by bringing our pure spiritual form into harmony with our physical form. He was a jack-of-all-trades – a doctor, philosopher, writer, and composer – so the story is about the discovery of a mass written by Ficino, which could go one step further and pull the soul back into the body after death. The story involves a beautiful drug addict with the voice of an angel, a murder, nearly everything my music theory major taught me in college, and ominous, supernatural flocks of ravens.
Bigfoot Hunters in Love was originally a free short story I gave away on my blog. You can still get it here. But I thought it needed more, so eventually I expanded upon it and contracted Scott J. Coatsworth to create a cover that conveyed both the silly elements of the story and the creepiness. It’s about a man who moves to the country and is chased into the forest one night by a monster. He loses his slippers and his dignity, eventually crashing headlong into a man who’s been hunting the creature for years. Along with our hero’s trusty dog, Thor, they set out to uncover proof that the creature exists.
Sadly, the anthology of bizarre stories set in the Old West edited by my friend and fellow author, Kim Fielding, is no longer available, except in used paperbacks. I’ll have to republish my short story from it: The Sheriff of Para Siempre. This was one of my favorite of my own stories, about two young men hiring themselves out as law-enforcement in a dying mining town. It ultimately involves a man who simply won’t stay dead, and the ending is the most tragic thing I’ve ever written. As one reviewer said: “I’m a blubbering mess right now, so if I’m not making sense, you can blame it on Jamie Fessenden. Quite simply, this story broke me. It broke my heart and it made me speechless.”
Author and friend, Eli Easton, came up with a great idea for an anthology: Gothic horror romances to be released each Halloween, each with a specific theme. The first was called Gothika #1: Stitch, and Eli did the cover for it. It was gorgeous. I even made a book trailer, which looks a bit clunky, in retrospect, since it was the first time I played with Movie Maker. But I’m very proud of the music I wrote for it. (Yes, all those tens of thousands I spent on my music theory degree paid off!)
I won’t describe all the wonderful stories in these anthologies, since that would take forever, but I’ll briefly describe the stories I wrote. For Stitch, I wrote a story called Watchworks, about a watchmaker in Victorian London, who is called to the home of a wealthy gentleman for a bizarre purpose: to repair the intricate mechanical hand of a handsome young man. The hand is so lifelike, it’s impossible to tell it isn’t flesh, unless the artificial skin is removed. But as the watchmaker attempts to repair the hand, he begins to suspect more and more of the young man is clockwork. Just how much of him is still human?
For Gothika #2: Bones, I wrote a Young Adult story about two teenagers living in a Latinx neighborhood in Manchester, New Hampshire. One has a grandmother (abuelita) who runs a botánica – a shop that sells folk medicine and magical items used in vodou rituals – and when he attempts to acquire a copy of the dreaded Book of St. Cyprian for the shop, he accidentally releases a dark spirit that possesses his friend’s dog. The two boys work frantically to exorcise the spirit, before it can hurt the dog or, worse… abuelita finds out what they’ve been up to.
Don’t expect any sex with this one, but it’s fun and creepy and has some interesting stuff about local vodou practices. I had a couple of Spanish-speaking friends take me to the botánica in Manchester, so we could quiz the owner and see what she had for sale. And, yes, the Book of St. Cyprian is a real book, rumored to be so evil, anyone who reads it risks losing their soul.
Isolation (Gothika#3: Claw) is adapted from a screenplay I wrote, but was never able to film – mostly because we weren’t able to find a good location. It follows a man who once had a great relationship with his best friend and lover, but chickened out of a long-term gay relationship and married a woman. Years later, after his marriage has disintegrated, he comes back with his tail between his legs, hoping to rekindle what he and his friend once had.
But he finds his friend living deep in the woods, isolated from the town, and not at all willing to get into a relationship with him… or anyone, apparently. And he soon discovers there is something sinister prowling through the forest at night…
For Gothika #4: Spirit, the theme was ghost stories, and I delved into the history of the old mill buildings in New England, which were plagued by fires that killed massive amounts of workers – usually young women. The most famous is the Triangle Shirtwaist factory fire which killed 146 workers, mostly Italian and Jewish immigrant women in their teens and early twenties (the youngest was 14), because the doors to stairwells and exits were locked to prevent workers from sneaking out on breaks.
For The Mill, I adapted a ballad about the Granite Mill to my fictional mill building, and had a team of ghost-hunters investigating appearances that have frightened off construction workers so often the building now lies empty and abandoned.
The last Gothika we did was called Contact, and it dealt with stories of alien abduction.
My story was called, not surprisingly, Abduction. It’s about a man who visits an old boyfriend and finds that he’s basically had a nervous breakdown and ranting about aliens abducting him and implanting things in his body. Our hero agrees to stay the night and help watch for aliens, and to his horror, he’s abducted.
The aliens don’t experiment on him, but that’s because he was abducted by different aliens than his friend was abducted by. In order to save his friend, he has to take sides in an interstellar war and befriend the commander of the ship he’s a prisoner on. Over time, he and the commander discover they have a connection…
Over at MM Good Book Reviews, it’s received 4 out of 5 stars! “The mystery and suspense are good and leaves a thread of tension throughout the book. There’s death and betrayal, love and hope and occult dealings. I actually think this is an intriguing story that shows a ‘whiter’ or good side to the occult. It has informative information and you can see that the author has done a lot of research. I will recommend this to those who love mystery and suspense, occult dealings, twists, betrayal, underhand dealings, murder and manipulation and a happy for them ending.”
Here’s the Blurb:
Jeremy Spencer never imagined the occult order he and his boyfriend, Bowyn, started as a joke in college would become an international organization with hundreds of followers. Now a professor with expertise in Renaissance music, Jeremy finds himself drawn back into the world of free love and ceremonial magick he’d left behind, and the old jealousies and hurt that separated him from Bowyn eight years ago seem almost insignificant.
Then Jeremy begins to wonder if the centuries-old score he’s been asked to transcribe hides something sinister. With each stanza, local birds flock to the old mansion, a mysterious fog descends upon the grounds, and bats swarm the temple dome. During a séance, the group receives a cryptic warning from the spirit realm. And as the music’s performance draws nearer, Jeremy realizes it may hold the key to incredible power—power somebody is willing to kill for.
Last week, fellow author Cate Ashwood tagged me on her blog as part of her Next Big Thing, so now it’s my turn to post my latest project and then pass the baton to another author. So here’s what I’m working on:
The Next Big Thing
What is the title of your book?
Murderous Requiem
How did you come by the idea?
I was inspired by a number of different things, including The DaVinci Code (the book and the film), some books I bought years ago on Marsilio Ficino (a Renaissance magician, doctor, and musician who believed that music could heal the body), my interest in Norse mythology, Alfred Hitchcock films like The Birds, and murder mysteries like And Then There Were None.
What genre does your book fall under?
Paranormal/Occult Mystery
Which actors would you choose to play your characters if it were a movie?
I’m not really sure I can pick actors, apart from perhaps Brad Pitt in Interview with a Vampire as Bowyn. I did find pictures online that captured what I imagined. From left to right, these would be Jeremy and Bowyn, the two love interests in the novel, and the enigmatic playboy, Rafe.
What is the one-sentence synopsis of your book?
Renaissance music expert, Jeremy Spencer, is dragged back into the occult commune that he co-founded years ago with his ex-boyfriend, Bowyn Clarke, in order to transcribe an ancient manuscript, but he soon discovers the Temple holds dangers beyond stirring up old feelings he isn’t sure how to deal with — the manuscript contains a dark secret that somebody is willing to kill for.
How long did it take you to write the first draft of your manuscript?
Hard to say, because I don’t always write a complete first draft before going back and rewriting, especially in something this tightly plotted. I went back over the first half several times before I wrote the second half. From beginning to finally having a complete story in my hands was probably a little over a year.
What other books would you compare this story to within your genre?
It’s a bit like The DaVinci Code, though there is considerably less running around. It all takes place in one location. I’m not sure which M/M novels it might compare to. (EDIT –12/31/2012: I am now reading a book by Shelter Somerset called The Rule of Sebastian, which I wasn’t aware of when I first wrote this post. It has a very similar feel to Murderous Requiem, though it’s much more of a murder mystery than Requiem is. I haven’t finished it yet, but I suspect I’ll be able to give it a good recommendation when I have.)
What else about your book might pique the reader’s interest?
To put this mystery together, I drew from a number of sources: the writings of Marsilio Ficino, alchemy, the life of John Dee, Enochian, ceremonial magick, Aleister Crowley and his occult order, the O.T.O. I also blended in some horror elements to give the mystery a creepy feel.
So that’s my Next Big Thing. The writers I’m tagging for next week are:
Fang: Gothika is now available for preorder! (It will be released on October 15th, in time for Halloween!) This is a reunion of some of the authors of the Gothika anthologies originally edited by Eli Easton and myself (#5). Eli and I were joined by Sue Brown and Kim Fielding in this presentation of creepy vampire stories for the holidays!
I missed Halloween with this post, so I’ll aim for the Day of the Dead instead! My intent was to blog about some of the scary/creepy stories I’ve written over the years.
Sadly, the anthology of bizarre stories set in the Old West edited by my friend and fellow author, Kim Fielding, is no longer available, except in used paperbacks. I’ll have to republish my short story from it: The Sheriff of Para Siempre. This was one of my favorite of my own stories, about two young men hiring themselves out as law-enforcement in a dying mining town. It ultimately involves a man who simply won’t stay dead, and the ending is the most tragic thing I’ve ever written. As one reviewer said: 
Jamie Fessenden's Blog 