Category Archives: Writing

Solving the Murder

Okay, so I’ve set up the muder scenario in my occult mystery, Murderous Requiem; I know who did it, I know how they did it, and I think I’ve obscured it enough so that my amateur “detective” doesn’t seem like a complete idiot for not figuring things out immediately.

Now what?

The murderer probably shouldn’t get away with it.  I think we’re all agreed on that point.  (Be quiet, Tim!)  But how is Jeremy (my main character) going to solve the crime?  I’ve been dropping clues, but most of them are meant to send him off in the wrong direction.  And at the moment, there’s nothing really pointing to the murderer, other than the fact that said murderer doesn’t really appear capable of killing anyone — always a dead giveaway in a murder mystery.

Then there’s the added problem of Jeremy not knowing that the murder has occurred….

Oh, he knows one murder has occurred.  But not the one that’s critical to the plot.  The way it’s set up, I’m not sure if he’ll find out about the second murder until the very end.  If he did, it might mess up my carefully constructed misdirection.  Of course, since this is my first murder mystery, my carefully constructed misdirection might be as transparent as glass to the reader.  But I’ll have to worry about that later.  For now, ignorance is bliss, and I choose to believe I’m a plotting genius.

Except that I can’t figure out where to go next.  I know it can’t be a slip-up on the murderer’s part.  That would just be lame and make my detective look like a halfwit for needing the solution handed to him.  So a new clue has to turn up somewhere, preferrably connected to the mysterious manuscript the entire story is revolving around, and one that points to the identity of the murderer.

Maybe when Jeremy finishes translating the 14th-century Italian manuscript, it will say, “Verily, the murderer is….”

Oh, dear.  We’re back to Jeremy being a halfwit again.

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Filed under Mystery, NaNoWriMo, Occult/Paranormal, Romance, Writing

Where do we go from here?

It’s been a moderately busy week for me.  First Lou Sylvre kindly let me rant about creating romantic suspense on her blog.  I used examples from two of my favorite M/M novels, Dark Horse, by Kate Sherwood, and Bear, Otter and the Kid, by TJ Klune, and ended up making a two-parter out of it:

Riding the suspense roller coaster in a romance novel – Part One

Riding the suspense roller coaster in a romance novel – Part Two

And We’re Both Straight, Right? received a wonderful review at Miz Love & Crew Loves Books!

I’ve also just turned in my first edit on The Dogs of Cyberwar, which is slated to be released by Dreamspinner Press in November.

I’m back at work on my occult murder mystery, Murderous Requiem, though it’s been a bit slow.  Only one more chapter added this week.  But it’s been a busy week at work and at home, so I’m hoping to ramp up my writing on that, now that I have a few days to breathe.

So having a full-length novel submitted (published is unlikely) by the end of the year is one goal I’ve set for myself, as a writer.  Everything I’ve had published in the past year has been under 60,000 words.  And there is a subtle bias in the industry that tends to favor novels over short stories or novellas, when it comes to readership.  I also still keep being asked if I can produce physical copies of my “novels.”  Until I have something over 60k, I won’t actually have a printed copy from a publisher to show people.   And the fact of the matter is, until you can produce a physical book with actual pages people can touch, they tend not to believe you’re really a professional writer.

The frustrating part is, I already do have two novels sitting in the wings, waiting to be published.  One of these — Seidhman — is, according to everyone who reads it, my best work.  It’s certainly the most polished, having been re-written five or six times and fact-checked by an Icelandic historian.  But it’s YA, and not suitable for my current publisher.

So my goal this weekend, is to draft a query letter and the whole package to submit Seidhman to an agent.  I have one picked out, but I won’t say which one, in case I jinx it.  🙂

By That Sin Fell the Angels — my other finished novel — needs one or two re-writes, before I consider sending it out.  That one isn’t suitable for Dreamspinner, either.  Not because it’s YA (which it isn’t), but because there really isn’t much romance going on.  I’m not sure where to send that one, but it’s time to start thinking about it.

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Filed under Cyberpunk, Mystery, NaNoWriMo, Occult/Paranormal, Romance, Writing, Young Adult

Who has time to read?

I admit it.  I’m a very slow reader.  Very slow.

It’s not that I don’t like reading.  I read all the time, but I tend to read short stories and non-fiction books (which you can skip around in a bit).  I do read novels, but not that many in a year.  At one time, I was churning through massive tomes like Dune, Shogun, Stranger in a Strange Land and Clan of the Cave Bear, and was also digesting classics like The Razor’s Edge, Siddartha, Demian, The Stranger and a host of others.  I devoured everything by Robert A. Heinlein and Phyllis A. Whitney that I could get my hands on (a bizarre combination, I know, but I loved both of those authors).

But at some point I lost my ability to focus.  Maybe I need Ritalin TM.

I blame working for corporations for years, which demand that you juggle ten things at once.  I’ve learned to juggle, but I’m not really that good at it.  And the result is that I often don’t finish all of the myriad projects I start.

I do finish things I’m writing, though I tend to have several projects going at once, and hop back and forth between them.  But reading — unless it’s research for something I’m writing — tends to fall by the wayside.

But a writer must also be a reader.  I think it’s a law.  And if it isn’t, it probably should be.  I’ve run across far too many stories that read as though the author learned to write by watching movies.  As much as I love movies, the sad fact is, most of them are badly written.  Cliche’s abound, and the primary focus tends to be on looking cool for the camera.  Even good films are by necessity condensed.  (Yes, even Peter Jackson films are condensed.  Can anyone say, “Tom Bombadil?”)

If you want to write novels, you have to read novels.  It’s the only way to see how fiction styles are changing.  (And yes, they have definitely changed over the decades since I was a teenager.  Back then, romance novels were commonly in first person.  Now, limited third person is all the rage, with the author hopping back and forth between the two romantic leads.)  It’s also important to vary what you read, in my opinion.  It would be very easy for me to read nothing but M/M erotic romances, since that’s the genre I tend to write for.  And that would, perhaps, help me learn how to better please that audience.  But I really feel that it’s important to read a variety of types of fiction, in order to improve my overall writing ability.

So I do read.  But not nearly as much as many of my fellow authors at Dreamspinner do.  I envy people who can read a novel a day, or even one a week.  If I’m really engaged by a novel, so I can’t put it down, and keep picking it up on every break I have at work, then I’ll get through it in a week or two.  But more often, it will take a couple to a few weeks, with a strong possibility that I may put the book down and lose interest, when I pick something else up.

Ah, well.  It would be nice if I could learn to focus better, but at least I am reading.  Currently, I’m deeply engrossed in very nicely done novel (which I won’t name, in case I don’t finish it, but which I will review, if I do).  So far, it’s gripped me more than any other novel I’ve picked up in the past few months, so I think I’ll be able to get through it.  If not, it’s certainly no reflection on the author.

Blame it on ADHD.  I hear that’s fashionable.

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Filed under Drama, Romance, Writing

Revisiting werewolves

When I was a teenager, and then later in college, I had a huge thing for werewolves and vampires.

Unfortunately, two things happened.  The first was that Anne Rice came out with Interview With A Vampire and its sequels.  They were good books — especially, The Vampire Lestat — and for a while I was as excited about the vampire revival they spawned as anyone.  But practically overnight, the majority of vampires in literature and movies turned into Lestat and Luis clones, haunted and “sexy” and brooding and going on at tedious length about how their curse means they can never find happiness.  Ugh.

The second thing was that the gaming company, White Wolf, came out with both Vampire: the Masquerade and Werewolf: Apocalypse.  Again, though I enjoyed both games, the first compounded the tortured vampire fad and expanded upon the underground vampire clan idea that Anne Rice had used in her novels.  (I don’t know that she originated it, but I’m not sure who did.)

The latter game expanded on the idea of clans that White Wolf is so fond of and somewhere the idea of a war between vampires and werewolves was introduced — don’t ask me where.  Although Apocalypse never achieved the popularity that Masquerade did, it had an enormous impact on werewolf fiction, to the point where publishers started saying in their submission guidelines, “Please don’t write up your latest RPG adventure and submit it to us as a short story.”

Then the film series Underworld came out, spawning an intellectual property lawsuit by Whitewolf and even more stories of tormented vampires battling werewolf clans, and the inevitable Romeo and Juliet (or Romeo and Julio) takeoffs that came with these motifs.

I’m not saying that, in the hands of a good writer, these themes can’t be done in interesting ways and make for excellent reading, so if you’re writing stories along these lines, more power to you!  But I miss the days when vampires were truly undead monsters and werewolves were solitary.  I miss the days when these tales were frightening.  (Don’t even get me started about how Hollywood has turned horror films  into boring parodies of themselves).

Anyway, I’ve avoided vampires and werewolves in my stories for years, because of all this.  But recently I’ve decided to dig up a couple old short stories that never found publishers (not that I tried very hard) and a short screenplay that was never filmed.  I’m turning the screenplay into a short story, and since the other two short stories feature a common central character, I’m thinking of adding a third story to those and making a triptych.  I’m not sure what to do with the short story that will come out of the screenplay.  Its characters have nothing to do with the other two stories.  I could put them all together in a collection, of course, but I think I’d still need at least one more story.  If I had two stories about two characters, then a third with different characters, people would be baffled, wondering if it was going to tie in somehow.

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Filed under Occult/Paranormal, Romance, Victorian, Writing

“Finding Love Through Bigfoot” is finished and available for free download!

I had initially planned on this story being submitted for an October anthology that Dreamspinner is putting out, but one of the requirements for that was that the story be no more than 2,000 words (within a small margin).  By the time I hit 3,000 words, with no wrap-up in sight, I knew I didn’t stand a chance of editing the finished story down to 2,000 words.  But I was having fun with it, so I decided to finish it up and release it as a freebie.

Since I’d been reading H.P. Lovecraft stories when I began the project, the initial tone was a bit Lovecraftian — 3rd-party narration, with the narrator rather distantly removed from the characters, and very little dialog.  But I couldn’t really sustain that for the entire story.  Humor started creeping in around the edges.  The “monster,” which initially was something dark and half seen in the forest, began to appear more and more like Bigfoot.  In the end, the story turned out to be rather tongue-in-cheek, if not quite a comedy.  But I’m happy with it.

It’s currently available for FREE DOWNLOAD (Did I make those words big enough?) at Lou Sylvre’s blog, since she was kind enough to let me guest blog there for a few days.  You can get to the link by clicking the image below.

Finding Love Through Bigfoot

Finding Love Through Bigfoot

The story was posted in a bit of a hurry, without the benefit of editors or even just friends looking it over, so I’ve already noticed a few typos.  When I’ve got a little more time, perhaps I’ll repost it with corrections.

SYNOPSIS:

Stuart moved to the country, looking for a little calm and stability in his life.  But that calm is upset, when a large, man-like creature begins showing up in his yard at night.  Soon, Stuart finds himself running for his life through the New Hampshire forests, and the only person who can save him is an enigmatic ranger named, Jake.  But Jake isn’t just out there on patrol — he’s been tracking the creature.  And he won’t rest until he finds it.

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Filed under Fantasy, Humor, Occult/Paranormal, Romance, Writing

Borders finally closing it’s physical stores

Earlier this week, the bookstore chain, Borders, announced that they were going to close all of their physical store locations.  I don’t know whether this means there will continue to be a Borders online, or not.

I feel responsible.

I’m one of the millions of readers who now buys most of his books in eBook format.  Hell, I’m worse than most of those people, because I write the eBooks!  (Well, not all of them.)  And that appears to be why these stores keep going under. 

The thing is, I really don’t need to purchase light, entertaining reading in paper book form.  My vision is going, so I have to remember to bring my reading glasses, if I pick up a book at lunch time, and my book bag has limited space.  It’s far easier for me to have a bunch of books available on my eReader or my iPad.  These are smaller and more convenient to carry, plus I can magnify the print, if I forget my glasses.

But as a writer, I also find it essential to do research.  And you can’t read big thick tomes about Vikings or Marcilio Ficino’s influence on the Renaissance on an eReader.  The iPod is a little more conducive to flipping back and forth between pages, but only slightly.  You really need to have resource material in your hands, in order to use it properly.  I bought a book on homosexuality in feudal Japan as an eBook, then ended up having to buy it again in printed format, for this reason.

There is also a lot to be said for the bookstore cafe.  Granted, the ones I’ve been to could benefit from more comfortable seating and larger tables.  Apparently, Starbucks took a look at the way McDonalds treated their customers, saw that McDonalds is tanking, in terms of business, and decided that was the model to emulate. 

But it’s better than nothing, and I inevitably do buy at least a couple books, every time I sit in the cafe looking through a stack of them, while I drink my trenta enorme Cinnamon dolce latte.  With a little pink umbrella.

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Going cold turkey on reviews

I can’t look at the accursed things anymore.  Not for a few days, at least.  While the majority of reviews and ratings on my novella have been good — and I do appreciate that — the recent bad reviews have been driving me up a wall.  And as a result, I’ve been driving Erich and all of my friends up a wall.  Railing against the comments of reviewers who don’t understand the character motivations in the story accomplishes nothing, since there is no effective way to respond to critics without attracting harsher criticism.  And there’s no way to pull the book from the “shelves” once it’s out there.

And frankly, I have better things to do with my time, such as working on Murderous Requiem, which is going well, as long as I can stay focused on it. 

So I’m just going to stay the hell away from Goodreads for a while.  That’s the only way I can regain my equilibrium and focus on writing again.  If somebody wants to go around telling the world that Larry, my lovable oafish character in the novella — who I happen to be very fond of — is really a manipulative, sociopathic rapist, then they can talk to the hand.  I don’t want to hear it anymore. 

I have real work to do.

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Filed under Mystery, Occult/Paranormal, Romance, Writing

How to keep writing when people tell you you suck

Overall, the reviews for We’re Both Straight, Right? have been positive.  But there have been a few readers — there always are, I suppose — who don’t like the story.  And even though I know, intellectually, that bad reviews are inevitable, it’s hard to shake them off.

The most recent one seemed to be implying that I wrote a cheap imitation of another book by a popular author, and people should just go read that book instead.  Of course, I’ve never read that book myself.  If I was “copying” anyone, it would have been Kevin Smith, but really I was inspired by porn clips I’ve seen online of supposedly straight college guys masturbating on film for money.  It seemed like a fun idea for a story, and several readers have agreed.

Even if this other story is mind-blowingly brilliant, is that a good reason to tell people not to “waste their time” with my story?  They’re both short novellas, for god’s sake!  It would take someone an evening to read mine.  What if someone reads this other story and says, “Boy, that was great!  I wish I had another story like it to read.”?  Well, then, they can read my story!  I know I do that all the time — finish something I really like, then immediately go looking for another story that’s similar.

And who knows?  Maybe they’d like it.  Yes, I know it’s the job of a reviewer to give other potential readers some idea of whether a story is worth reading or not.  But there’s a difference between “I didn’t think this was funny,” or “I found Larry to be pretty offensive,” and “I liked this other book better — go read that.”

That’s just crass.

Then there’s the other 2-star reviewer who not only didn’t get it the first time, but felt he absolutely had to go back and expand upon his review to try to convince other people to completely misinterpret the motivations of the characters.  Let’s go ahead and spread that misinformation like a virus.  Why not?

So my fellow authors at Dreamspinner have all been through this with their own books, and they keep telling me to take a deep breath and ignore the critics.  They know that isn’t easy to do, of course.  But there’s nothing else to be done, really.

It can be very difficult to keep plugging away at your current novel or story, when people are making bitchy comments about your published works.  It takes a lot of self-confidence to be able to keep writing, when there are people out there telling other readers not to bother with your stuff, and writers tend to be insecure by nature.

As Erich is fond of telling me, whenever I’m upset at the world, “I want you to take a deep breath.  Then I want you to imagine a glowing circle of white light surrounding you.  And in that circle of white like, you can see several tall spikes.  And on top of each of the spikes, you can see the severed head of one of your enemies…

“There.  Doesn’t that make you feel better?”

NOTE:  I don’t really collect severed heads.  But here’s an interesting bit of trivia — the ancient Celts had a word for “pile of heads outside my front door”.  It was, in Latinized spelling, “cenar.”  Have I mentioned that Erich and I make horror films for a hobby?

NOTE 2:  I got a 4-star review for We’re Both Straight, Right? today on Goodreads, so I’ve calmed down somewhat.

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Filed under Mystery, Occult/Paranormal, Writing

“Meet the Author” chat with Jamie Fessenden (me) at Goodreads on Saturday!

Tomorrow (Saturday, June 25th), I have a “Meet the Author” chat scheduled on Goodreads, from 1pm to 6pm EST.  Basically, I’ll be hanging out there, waiting to answer any questions people might have about my stories or life as a famous soon-to-be-fabulously-wealthy author. 

If you’d like to join me, follow this link and click on the chat with my name on it.  You’ll have to register with Goodreads, but it’s free and it’s not a bad site to have an account on, anyway, if you like to read.

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Filed under Christmas, Cyberpunk, Drama, Fantasy, Japanese, Mystery, Occult/Paranormal, Romance, Victorian, Viking, Writing, Young Adult

“We’re Both Straight, Right?” gets a B+ at Brief Encounters!

After a wave of (in my opinion) rather toxic user reviews on the Goodreads site, which I’ll get to in a bit, We’re Both Straight, Right? received a B+ at Brief Encounters!  You can read the entire review here.

So, what do I mean by “toxic” reviews?  Well, I certainly don’t mean that people aren’t entitled to dislike my story.  The first couple bad reviews I got, I just shrugged off.  But then someone posted a review that used the word “coerced.”  She disliked the story, she said, because Larry was coercing Zack into these sex games.  Then later, Zack and Larry allow the porno director to coerce them into doing things and she found that to be “sick.”

This was upsetting.  But clearly this reviewer just didn’t “get” the story.  I don’t generally believe in engaging people who dislike your stories (or films), but this review seems to be having an impact on reader perception of the story.  Since she posted it, three or four other readers have mentioned the same reason for disliking the story, whereas the reviews had never mentioned that point at all in the first two weeks that the story was out there.  It really upsets me to think that some people may be forming a negative opinion of the story before reading it. 

So, even though this is just going out to the people who read my blog, I feel that I should at least address the issue of character motivation in the story.  At least, as I see it.

WARNING:  If you haven’t already read We’re Both Straight, Right?, there might be some spoilers below.  I tried not to give too much away.

At no point is Larry coercing Zack into anything.  He states quite clearly what he wants and that Zack doesn’t have to go along with it — but he wishes Zack would.  That’s not coercion, in my book.  That’s laying it all out on the table.  If Zack feels guilty and goes along with it because of that, as the reviewer seemed to be implying, well then, he’s being foolish.  But he’s not being coerced.  Are friends never allowed to tell each other that they would like to have sex?  Becuase I can’t really conceive of a way of doing that without the possibility of someone feeling guilty, if they reject the advance.

The other implication here is that Larry knows that he’s making Zack feel guilty, and is using that to manipulate him.  This is simply incorrect.  Larry is socially inept and not really capable of manipulating anybody.  Self-centered, perhaps, but not manipulative.  He’s basically a big dumb ox — a bit on the crude side, but incredibly loyal and devoted to his best friend.  I knew he would be a bit of a hard sell, when I wrote the novella.  Some of us love guys like that; some of us don’t.  But the one thing he is not, is conniving and manipulative.

As far as the porno director goes, he lays it out when they arrive, telling them what sex acts he’s paying them for.  When Zack realizes that there was some miscommunication and they won’t get all of the money without going “all the way,” well, that’s not coercion, either.  That’s negotiation.  He has the option to just take the pay for the sex acts he’s comfortable with, or push himself a little further to get all of the money.  It’s his decision, and nobody is forcing him to do anything.

I worked very hard to have my characters communicating throughout the story, rather than rely on misunderstandings for comedy, as so many bad sitcoms and films do.   When Zack and Larry get angry with each other on occasion, they may brood for a while, but then they talk about what’s bothering them and try to find a solution they can both be happy with. 

To my mind, that makes them good for each other.

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