Category Archives: Romance

It’s Away!

Seiðman has been sent!

Now I just need to get back to work on Murderous Requiem, in order to keep from fretting about whether Seiðman will be accepted.

I have a lot of confidence in the novel, especially after so many people have helped out by critiquing it over the past three years, including a couple people in Norway and Iceland.  But there are a couple things that might be problematic.

One is the vocabulary.  I counted twenty words in Old Icelandic, the language spoken in Iceland during the Viking Age.  Do I think that’s a problem for a YA novel?  Not really.  Teens are certainly capable of processing twenty foreign words.  But I don’t know if there’s some magic formula in the publishing world that says each foreign word equates to 27 and a half buyers who will turn away from purchasing the novel, or something like that.  I did included a vocabulary list on the last page of the novel, in case readers need to refer to it.

The other thing is the ending.  I went for a happy ending, but there had to be a caveat.  It simply isn’t realistic for a 17-year-old chieftain in Iceland in the year 1,000 C.E. to be a bachelor.  He must be married, and he must father children.  Otherwise, his “manliness” would be called into question, and he would lose supporters.  That’s just the way it is.  On the other hand, I personally have a big problem with men sneaking around having sex behind their wives’ backs.  So the solution is an amicable agreement between all parties involved.  It’s the only possible solution, apart from living a tragic, miserable life apart from one another.

But will a YA publisher go for that?  I don’t know.  I feel like I’ve proposed my characters stand up at the Althing and suggest Iceland adopt Socialism.

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Filed under Romance, Viking, Writing, Young Adult

Sending Seidman Out Into The Cold, Cruel World

Seidman was the first complete novel I ever wrote, and many people who have read it tell me it’s my best work.  The first draft was finished three years ago, and it’s now on draft six, which is more than I’ve reworked any story.

And it has yet to be published.  In fact, it hasn’t even been sent to a publisher.

Why?  Well, when you start thinking of something you’ve written as your best work, then you start getting pretty protective of it.  You keep tweaking it, trying to make it absolutely perfect, and you start telling yourself, “I’ll send this out, just as soon as it’s finished!”  But of course, at that rate, it will never be finished.  I’ve seen others do this, and saw how easily they got trapped in this never-ending editing loop, until the end result was that their “best” work was actually something they’d created so long ago that they could probably do better now, if they would just let go of this work and move on.  I vowed I would never fall into that trap.

Yet, here I am, three years down the road and still “polishing” the manuscript.

The other thing that plays a factor is fear.  If this is my “best” work, then what happens if I send it out and everybody hates it?  Will people sneer at me and ask, “Is this the best that you could do?”  What if it is?  Will that mean I suck?

Fortunately, I am not a patient man.  Which means I’m a disaster at detail work, but pretty good at saying, “That’s good enough!  Ship it!”  This has served me well over the years, and it has now come to the rescue of Seidman.

It’s time to let it go.  It’s good, but it’s not Gone With the Wind.  It probably won’t win a Pulitzer.  It’s time for one last quick polish, followed by a firm swat on the butt as I send it out the door.

It’s first stop will be a new gay YA imprint that’s being launched soon.  I can’t say much about it, until the imprint is launched, but I’ve contacted the editor, informally, and she’s expressed an interest in seeing the novel.  So I’m planning on sending it out this weekend or early next week.  If she doesn’t like it, then I have a couple agents in mind.

 

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Filed under Romance, Viking, Writing, Young Adult

Cyberpunk: Looking Back Into the Future

I recently finished reading Walter Jon Williams’ excellent cyberpunk novel, Hardwired, and was dismayed to realize that it had been published in 1986 — just two years after William Gibson’s seminal novel, Neuromancer.  In fact, an online search for cyberpunk novels turns up very few works in this genre more recent than ten years ago.  Sales on my new release, The Dogs of Cyberwar, have been rather sluggish, compared to my earlier publications (though I’ve received some wonderful comments from readers), and I think this is why:  it’s a sub-genre that’s more or less played out.

This is too bad, because I really love cyberpunk, and judging from the reader comments I’ve received, there is still an audience out there for it.  But perhaps not a large audience.  Even a list of cyberpunk-themed films on the great website Cyberpunk Review shows, in my opinion, that there have been few really brilliant films made in this genre in the past decade.  Good ones, yes, but even the good ones aren’t really contributing much to the mythos.

What exactly the mythos is, is of course debatable.   I generally look for various elements, such as a near-future dystopian society, in which corporations have taken over the government and the people have become disenfranchised — meaning, in a nutshell, that they’ve lost any say they might have had in the government (which some might say has already happened in real life).  Computers have become omnipresent and, in many ways, a drug.  (Which, again, many people would say has already happened.)  At the same time, computers and other technology are being used to enhance the human mind and body, and these enhancements are what enables our hero or heroine to fight back against the corporations. Check out and find out here – WebDesign499 for more details about technology.

There are, as I’ve said, a number of variations and different themes to be explored.  But what seems to be the problem with the genre right now is that there isn’t much exploration going on.  Authors and filmmakers in the 70s, 80s and 90s appear to have done all the exploring, and now we’re mostly seeing rehashes of by-now-familiar themes.

To be honest, The Dogs of Cyberwar isn’t innovative, except in having gay protagonists.  I’m hardly the first to do this, of course.  Madeleine Urban’s wonderful triptych of futuristic m/m short stories, Far From Home, touches upon cyberpunk themes, and S.A. Garcia recently released Divine Devine’s Love Song.  I’m sure there are many more.  But not too many — I still have difficulty tracking down cyberpunk with gay protagonists.  So I’m happy to contribute to the number of stories out there.

But the point remains that if writers of cyberpunk stories don’t want to see the genre increasingly marginalized, we should delve a little deeper into what it has to say.  And there is still a wealth of opportunity for commenting upon the way our privacy is rapidly dwindling to nothing, the eroding of personal freedoms and rights in the wake of 9/11 (Cory Doctorow’s Hugo-nominated YA novel, Little Brother, explored this theme very well), how social media and the Internet simultaneously free us to communicate in the face of government bans and opens us up to monitoring by the same government.

These are important issues, and there is still much to be said.

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EXCERPT – “The Meaning of Vengeance” by Jamie Fessenden

One of my lesser known holiday stories, The Meaning of Vengeance, was published by Dreamspinner last Christmas, and tells the story of two Vikings on opposite sides of a family feud which has claimed the lives of everyone in their families but them while looking for the Arizona rehab center. When Ari injures Geirr, rather than finish him off, he decides to nurse him back to health and suddenly the two young men find themselves falling in love with each other. But can they get past all the pain and hatred the feud has placed between them?

This isn’t strictly a “Christmas” story, since the heathen Icelander’s didn’t celebrate Christmas.  It takes place during their Yule season.

“The Meaning of Vengeance” by Jamie Fessenden

EXCERPT — “The Meaning of Vengeance” — M/M historical

It wasn’t until they returned to the bench that Geirr found the courage to ask, “Why didn’t you kill me?”

Ari looked uncomfortable as he lowered him down on the sheepskins. “I almost did. That blow to your head nearly finished you.”

“You could have left me there to die, or finished me off. Why bring me inside and tend to me?”

Ari sighed and retrieved the bowls of stew from the floor, then sat down beside Geirr again before answering. “You have gentle eyes.”

“What?” Geirr bristled. Olaf had often told him that his pale blue eyes were too pretty, like a girl’s. It had always irritated him.

But Ari ignored his flash of temper and continued, “When you looked at me, just before you charged, I could see that you didn’t have the eyes of a killer.”
Geirr wasn’t sure how to feel about that. It was true that he’d never killed anybody and he didn’t really want to. But Olaf had always told him that when his back was to the wall he’d be able to do it. Now someone he’d actually tried to kill was telling him that he never felt at all threatened. It was humiliating.

“I would have killed you, if I’d been able to,” Geirr said sullenly.

Ari gave him an infuriating smile and shook his head. “Olaf was a killer. You’ll never be.”

The mention of Olaf angered Geirr further. He snatched the bowl Ari was holding out for him and dug into it with a ravening hunger. But in the back of his mind, he knew Olaf’s death would hang over his head for the rest of his life, plaguing him. Geirr was now obligated to exact vengeance for the killing. If he didn’t, he would be labeled a coward by everyone on the island and Olaf’s spirit would never rest. Ari would probably kill him easily, if it came to a duel, but somehow or other, one of them would have to die.

* * *

GEIRR dreamt that he was alone on the tundra. Everywhere he looked, in all directions, he could see nothing but snow and ice and barren, black volcanic rock. He tried to determine where he was from the mountains off in the distance, but they were unfamiliar and seemed oddly far away.

He began walking, calling for Olaf. But in this strange wasteland, not even the echo of his own voice answered him. Fear began to overtake him—a terror that he was truly alone out here. That there was absolutely no one else. Desperately, he began to run, having no idea where he was going, his footsteps crunching forlornly in the snow. When Olaf’s name continued to draw no response, he found himself shouting, “Ari!”

He woke to a gentle touch on his forehead. “What is it?” Ari’s deep voice said softly. “I’m here.”

Ashamed but unable to stop himself, Geirr grabbed Ari’s hand. He desperately needed to feel the touch of another human being after that horrible cold emptiness. Ari allowed him to hold on. The man was naked again, having been roused from sleep, and he was squatting beside Geirr’s sleeping bench. He looked at the young man with eyes full of compassion and, when Geirr finally released his hand, Ari brought it up to stroke his dark chestnut hair, soothing him until he drifted off into a peaceful sleep.

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Pimping Two Earlier Holiday Novellas

Now that we’re into December, I feel compelled to point out that I wrote two holiday stories last year.  If you haven’t read them, you might consider giving them a go this holiday season!

"The Christmas Wager" by Jamie Fessenden

 

The Christmas Wager is a Christmas Victorian about a businessman, Andrew Nash, who convinces his best friend, Lord Thomas Barrington, to take him to Barrington Hall for the holidays, even though Thomas has been estranged from his father for years.

It was my first (and so far only) attempt at a Victorian novel and the historical accuracy is a bit dubious (apparently, one does not eat scones for breakfast), but the novella has received a lot of kudos for the romance in the story.  It’s a light, entertaining read.

 

"The Meaning of Vengeance" by Jamie Fessenden

 

The Meaning of Vengeance, on the other hand, explores how the Vikings celebrated Yule before Christianity came to Iceland and features the Norse god of sex and fertility, Frey, giving guidance to a young Icelander.  Geirr’s older brother is killed by Ari in a duel, and Geirr himself is injured, when he seeks vengeance.  But rather than kill him, Ari, chooses to nurse Geirr back to health.  Isolated in a remote farmhouse in the middle of a harsh Icelandic winter, the two young men slowly begin to trust one another…and perhaps even fall in love.

Of my published works, this one is the least well-known, though it received good reviews. Personally, I think it suffered from being part of an anthology with a cover that was wonderful and perfectly suited to the anthology, but completely inappropriate to this story.  I really hope more people discover it this Yule and give it a chance.

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“The Guardians Awaken” is finally finished!

Well, in first draft, anyway.

The Guardians Awaken is the tentative title of a fantasy novel I’ve been working on for a couple years now.  I originally pictured it as a YA novel, but since the characters would technically be adults in a medieval-style fantasy world (they’re about 17 or 18), I’m no longer certain that it has to be.  It’s a gay romance, of course, but the sex isn’t explicit — it’s more focused on romance and the actual plot (go figure).  Though, technically, it doesn’t have to be an “adult” novel, either.  I may have to see how my readers feel on that issue.

My biggest concern is vocabulary.  Erich and I came up with three languages for the humans and the two warring factions of gods in the novel, which is great, in that it gives the world a bit more depth.  But it’s potentially irritating for readers.  I suspect I overdid the various words for different things.

The next concern is originality.  I think the story line is good, if not radically different from other fantasy novels.  Hopefully, there’s enough going on to keep it interesting, and the characters are good.  I think that’s the case.  Every time I go back over it, it catches my interest, anyway.  Again, we’ll see how readers feel about it.

But the big problem is the two factions of gods.  One is off-screen, for the most part, but they’re based upon the legends of the Norse Aesir and Vanir.  Not precisely, but certainly inspired by them.  And what makes this a problem is the Vanir.  Tolkien was inspired by Norse legends, as well, and his elves are very much inspired by the Vanir and the Alfar of Norse mythology.  I’ve been struggling to make my Taaweh not the same as Tolkien’s elves, but it’s a challenge.  The Vanir were gods of the earth, vegetation and water…as are Tolkien’s elves.  There are some major differences between my Taaweh and Tolkien’s elves, but they aren’t really apparent in the first novel.  (Yes, this is just the first part of a trilogy.)

I was using my work on the end of this novel as my NaNoWriMo “novel” this year, only counting new word count, of course — nothing that I’d written before November.   I was intending to then continue past where this one ends and segue into the second novel in the series.  But unfortunately, I haven’t had a free weekend this month, until now, and I’ve only managed to get about 12,000 words done towards my NaNo count.  I’m pretty much doomed for this year.  But finishing Book One is the important thing!

And now I have a bit of time to at least get a start on Book Two.

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Filed under Fantasy, NaNoWriMo, Romance, Writing, Young Adult

An excerpt from “The Dogs of Cyberwar”, coming out November 30th!

This is an excerpt from the beginning of my new novella, The Dogs of Cyberwar, which is being released on November 30th.  The excerpt is rated PG for language:

Connor felt the bile rise in his throat and swallowed hard.

“Well, so much for getting into the gang,” Varela said calmly as he turned off the plasma sword and slipped it back into its scabbard, then allowed his trench coat to hide it once more.

“Jesus Christ!” Connor gasped, unable to think of anything else. He was completely covered in human blood.  There was a corpse at his feet, and the murderer was standing just a few feet away.

“You’re supposed to say ‘thank you’,” Varela stated as he came around to Connor’s side of the desk and bent over Big Nose’s body.

Connor wasn’t really in the mood to chat with Varela, but he didn’t want to provoke him either. “Uh… thank you.”

For some reason, Varela was wrestling with Big Nose’s boots, trying to get them off. Connor thought maybe the man wanted to keep them for himself, but when he did succeed in yanking them off, Varela simply tossed them aside. Then he pulled the pants off. “These managed not to get too much blood on them,” he said, as he stood up again. “They were around his ankles, when he went down. His underwear was, too, but I don’t think he changed them very often.”

Connor screwed up his nose at that. “What do you need his pants for?”

“To wipe you off. Turn around.”

He obeyed, and Varela rubbed the torn jeans along his back and ass, trying to clean the blood off. Connor might have objected to the man rubbing his hindquarters, but he was so businesslike about it that it didn’t really feel like he was making a pass. The jeans were filthy and not very absorbent, so Connor was still streaked with drying blood when Varela finished.

“You’ll probably want to shower off somewhere.”

That meant a trip to the gym or a hotel, which always made Connor nervous, since those places tracked identification. His digital ID was fake, but it could still leave a trail.  The fact that he still had wet blood on his skin also meant he had to stand around naked for a while longer in front of this guy if he didn’t want it soaking into his clothes.

“My name is Luis,” Varela said, tossing the pants away and extending his hand. Up close, Luis Varela was a strikingly handsome Latino, with smooth coppery skin and jet-black hair cut short but still long enough to show some curl. His heavily lidded eyes had irises so dark they appeared black.

Connor looked at the hand in surprise for a moment before taking it and replying, “Connor.”

“I have a proposition for you, Connor,” Luis said conversationally, as if he weren’t speaking to a naked man covered in the blood of the corpse at their feet.

Connor wondered if this man was entirely sane. It wasn’t fair to fault him for being an expert fighter. That was a skill anyone living on the streets of Seattle would envy. Obviously, this guy had done a lot of killing, judging from the almost-offhand manner in which he’d done it and the calm way he behaved afterward. But despite the fact that he’d saved Connor from being raped, Connor had to wonder just how trigger happy he really was.

When Luis saw Connor eyeing him warily, he amended, “A business proposition, that is. It seems to me you’re pretty vulnerable when you’re jacked in.”

“I guess so.”

It was actually one of the biggest problems with being a netrunner if he didn’t have a corporate safe house to operate from. Since he was generally trying to steal or destroy data from rival corporations, their security forces were constantly trying to track his location and stop him from operating—permanently. Connor was a freelancer, meaning that he hopped from location to location, doing odd jobs for different companies while trying to stay one step ahead of security.

“So how would you like a bodyguard?”

To buy the novella, go here!

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New Cover Art for “The Dogs of Cyberwar”!

I just received the final cover art for my novella, The Dogs of Cyberwar!  It’s the first photorealistic cover I’ve had designed for me, and it did a good job of capturing the look of the characters.  The cover is by Catt Ford, who designed the cover used for We’re Both Straight, Right?

The Dogs of Cyberwar

The story is due out on November 30th this year, and I can’t wait!

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Interviewed on Mama Savannah Georgia’s new talk show, “Mama Knows Best”!

Here’s the interview I did recently on Mama Savannah Georgia’s talk show, Mama Knows Best! The entire show is great, but if you’re looking for me in it, I appear in the last ten or fifteen minutes. I really wish I’d worn something less frumpy…

http://www.metacafe.com/fplayer/7537472/mama_knows_best_talk_show_episode_3_of_season_1.swf

In the interview, I talk about my films and my writing, as well as discussing the state of gay marriage in New Hampshire.

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Filed under Film Writing, Gay Marriage, Romance, Writing

Galley Proof for “The Dogs of Cyberwar”!

I’ve received the (nearly) final galley proof for my cyberpunk novella, The Dogs of Cyberwar, and I have until Monday to go over it and correct any minor mistakes.  As the editor says, this is not the time for major corrections — mostly just things like typos, mispellings, grammatical mistakes that escaped us the first time, etc.  If I don’t find anything major, this will be the last I see of the novella until its release date, on November 30th.

I still haven’t seen the cover art, and I’m anxious to get a look at it.  But of course we have a month and a half to go, so there’s no huge rush.  Presumably I’ll have a chance to critique it a bit and offer suggestions, such as “I don’t really picture Luis wearing a beanie with a propeller.”

In the meantime, I’ve nearly finished Murderous Requiem.  No, really.  I’ve just completed the last sex scene and now all that remains is the climactic scene in which the villain gets his comeuppance and All Is Revealed.  I’m still not convinced the “mystery” is completely obvious to any reader who isn’t baffled by Murder,She Wrote.  (For those of you who never watched the show, the killer is revealed in the opening scene, leaving the audience to wonder,  Why haven’t we turned the channel yet?)

I’m trying to wrap it all up before NaNoWriMo next month.  My original plan for that was to write another murder mystery, but as I suspected would happen, I’m pretty much burned out on mystery, at the moment.  Instead, what’s caught my attention is sword & sorcery.  So I’m returning to a YA fantasy novel I’ve nearly finished (still a few chapters to go) and the sequel will be my NaNo project.  If I can possibly finish up the end of the first one this month, that will be a bonus.

I have most of it plotted out, which is exciting, because until now I’ve had absolutely no idea what was going to happen in it, apart from the ending.  (It is, of course, part of a trilogy.)  This month has been incredibly busy, but hopefully things will calm down soon.

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Filed under Cyberpunk, Fantasy, Mystery, NaNoWriMo, Occult/Paranormal, Romance, Writing, Young Adult